PREFACE 


a The first part of this great work is designed to advance the scholar from the very first rudiments of music, 
a B. both in notation and execution, up to the point of playing well in all keys in the first position. All the scales, 
z em graces, embellishments, etc., including “ doubie stops,” are explained and fully illustrated in Part First within 
: the compass of the first position, and any careful student of that volume is now fitted to undertake and master 
Ss these more advanced chapters. Herein will be found EVERYTHING appertaining to the art of violin playing, 
” “carefully marked, fingered, and explained and arranged in a strictly progressive order. Much care has been 
re expended upon the art of harmonic playing, and every pains taken to present the difficult accomplishment in 
aay the clearest light. Double notes, arpeggios, etc., are clearly and comprehensively explained, and it is the 
a ey: ‘earnest hope and belief of the author that a finished student of this method will be able to intelligently perform 
the most difficult compositions of any writer for the violin. In order to firmly fix the student’s style it is 
“advisable (no matter how far advanced he may be) that he should possess and study the first volume of this 


me: work before taking up the second, and it will be found that both volumes, complete, forra the largest, best and 
om instructive violin method ever published. ‘Trusting that my earnest and conscientious labors in your 

will be repaid by your rapid and satisfactory advancement, I remain yours in the cause of this 

delightful SS me . 


A. 8. BOWMAN. 


Dee tee SO es oe 


PART Il 


ist POSITION, 


Hee zo sostenutea. (d= 72.) 
OE re 


VIOLIN 1 hee 


1. 


VIOLIN hk 
1) te eee" ee 


fy ge ee SE a SE EEE SPE Ta ST faci. sl 
jf (2S ee SS BT Lent i 2 eeress mae 22 DEE Ae Gf Sy EE a NSS 
08 {ys OS EE A I EEE, Ss GS ES SERS AN bs ES SW Ss «_ 
12.1) BR Re RSE SET EIS SY A SU Sen wey OR Aes YEE ES ee SS ER MESS ee SS 


i, SS BS 
SRNAVRT Ee see 


oe i ge ee ee a ee el 
© aan Br ee ne eee yf a we 
MGs 0-7 4 pe Seow eves fs 


a 
ST eae i eared 
——<— sa A A * ESE * eC a ET 
hes —— eee eee 4 ‘ 
fa SN eas = 2.4. 


aE La = eS REGRET, ees oe ——— et est oe 

S (oT ES a) Bey" aay" I OS EES PS A 2 OOS 20 ee ee ee 2 Feed ES na _ + el _ 2 ae mes 

EN ee ee SS SS “ES A aaa ST za at aah | ie ees 
— 


» i — Va aos ao eel A Py Gee EE eS en oy RT Te LL ee eS aoe pees ees ES PD 2h Gees EE 

ws PT BABA ASD 2 Bie ME Gest REN Posey Ge ers snr A A a ae a SS a ae ae OS 

2. See Et Sd ee FR ee ee Pe ee ee en es OS, _ ee ave 
1 2S, (ER N.S, PT, EATS! 335 BSD _ Be ie eee a BS eee ea eT RTE Pear ae a aioe be wm 


Excelsior Violin. Part Hl. 


co 


ist POSITION. 


| lee | - 
= | ig = Baa eS Sa [| SS ee bp 
Tes  |-@eo # | ee Pere | 1 Tr SS a L_g¢4Jj—g—_|_¢ oon EG (ESE ee ee I eee eee Be De 
Ee i.ay Eee. Ley caer Sa ne eae Ba 0. | Sa SS LN a Sea FS wae aS SBS ES ae ee a a — maa 2 


A 
ee 


2 a ] ee a __ 
100... he 2 (0S SS EE Se ey ST AT SR GS El Ne 
(0 ST SL «AA i ee ae eT ae er eee (eee eee ee" e_e e e _—— en 


oe a, ee ee 


3 —— 2 oe : 
a a — —— as Oe i. Rr Eee ——_ EE i ~~ = 
[iY .00 7 TE GE 2S Se __. ee ee Be ee Se ee GE Se EE AS SS SN LS ae a SS eee Ne Se 
Qi a wo Ley Rai Saal Ge Ee ee ee ee ee a en EES ESS ES Se «=e Ce eS Ee ee —_ 
{ D4 sa Se T_T EE ee eT ee. - Se a a tay ME Le Ree bh EN = a oe ‘a o-oo 


Excelsior jolin. ~ Part 


4 


1: POSITION. 
Andantino (J=76) 


Exeelsior Violin, Part II. 


(Xp O66 AL 


2 
= ara 


18t POSITION 2 


Ease / ae eee ee (So Soe Cat ES Baa Ee De 7 eee 
fee 7 a ts Oe Gi gm -i oe eee eee a BY a oN 2 eee 


Mls ag BRU RIE Alaa ee SSS BS Le / 
” |) DT Se SS Ee Ee Ea REE 


a aa 


Excelsior Violin. Part i. 


4 


b af ashy | 
EO Ch a a faaale Wow a a omen et 
a> Ease pie re 


JG 7s ENTE ae / ee 
sara = pe Tasenry to {eh tet at 
Ss ea ey 


Ba 32 
iW 1H 
a 
— 


Excelsior Violin. 


ee 2 ee EE RS Se ae 
SS Sees Sa ef 


Part II. 


1st POSITION. 


aie SP a eee ES 
ps TE) 1 ae PE Ao! EEF 
a Ee SE 
—= 


18 POSITION, 


ae A PO Ja a ee —- a mm 

223) (ss De ] GA RE De Re ee ee fer 

at Se Se Soe es ee Se Se eT Se oes 
Lee | [eee _} 


eee _| i 
| Pr 
SS SD SAS SY AS A SY SAL NS A A ES LO 
eet <=) a ht 


8 1st POSITION, 


f 2 
[eee Piste srg Og | ft Lat —~g-—. gL 7a ee 
Ht  umeneed ew ares en Se cing ase 2 ed Mae SESES 2 


he Any hat 2 ee ee SS ——_—— 
SE 4 eH eee ES Ba 


A af 
ee a PN)! 2 eee eee ee a ee 
¥ ese cui om bee SG Oo eel eT he er eta ithe tO. Ly 8 |: 2 @ ashe BD og ee ee eee 
ff .. ee ee 0 ee ee ey ALY Ee mre 2 1) ee Se es ees oS aS pe 
Sg a ae LY ag @ © ae ee eee ey AEE fee On Ge joao’ (char tat someacaey: eens =? a Sa Be Ee Sa 


| SEE RY Ss SO DE, a pase [ars 

iF aay L_ ah e—f | eS ae ee a See GEC a (SEE 
is —_9_F 0) 0 _t-9— [eG 2 4 area na aS Pa ey Soran Ea dost ar (SS Gas ae ees a Soy a Sd ee er RE BR A 1 A «_  _ 
pee i BAB Be 2 ee eee ea = DERE! Dae Ae —lhlUe 


eee) [ EET ID 
Le —a Peat ft tg ares 
Gay B44 '°—""Saee 


a oe fg eee ee Pe Be eer ea! M4 eee ee 
ae eee ee 4 B_ ee ees 7 i iS ie SS 
= 


Excelsior Violin. Part II. 


1st POSITION. 9 


MOSS) SS ee a sey mates F 
-— pgp 2a A Se 2 ee A PE AS |) 


ae Se ee ee ee Ee a ee ne OS eo oe ES 

ie if eee Ee a Se SS eS ee ee ee 0 ee ee 
vo DS Soe See eS ee SSS aS Ss SR aS eS aes aS ee ee 
eae ae | = a ae bo 


BYE _ 24458 |S BE eel Soe 
= A eS Ee ee Ge eS 
BSS Ss a ES) 


eas 4 eet to Lf — on 
LS Eee Ea SE Sa TO ee j—-}-— HE = Lan} —}— 
a mae to Sy es oe oe ee a ee 2 ea —_—_—_—4 | | @ 


int —-m = 
a a 


Excelsior Violin. | Part H, 


10 1s* POSITION. 


Li 
2 {> re ee es a 
Li) at oS eee aaa ear Se or oat Be Snr eGnsnow Siena Waser Cees awe 


>a 
i f <b | ae 
LS /.. =e See ee bod eee es 
POA SSO; Ea one, of 7 Ea ee et ge eee Ly) Reena a 


i @ F @ VG -« & 
=e 


ven’, . a ae 2 Sa eg eae Ee | en __| es ee SS _ 
12 eee Se PW 2s | _ 2 es SA Ee Se a Se 0 ee ee oe Geer Se ee 

5 om oe eas a =e ——— ——— ae ee ee eee ee ee ee BS SN MS 
ae] Pee eee ee a 25 FA A ONE as me SS SN SN SS Fs Eo Yr g ££ Le SF ei 


eomesecaere| rae Se 
> SS Se SE RR MISS Peer Ge 
1, ann a es ES ew a Be 


rs. aa a 
o-+- 0-4 ott Ea ae a ES Ee SS ee ee eee De ee 
CS ee ae ) ig fe 6 bE ei Re he 2 ee Se eee os Bais iw EE __ ee J 
RAS aa, CO Ss Deal —— 
{|_| 


Pizz ve SP 


Excelsior Violin. Part I. 


1 POSITION. 


3 ly Se Ae tee De Oe ee = em. 
r) lat 27 Se So Rey 2 Bes er ee ee Oe ee ee ee ‘ec Wa: beet en od RE 
Co eT SS ET a PS LE ee ae et | SS SS el ME Ee a a ea ie Gan eee JSSe08) Daal (SRSA Wasa ear! Hees RR. ABS 


aeieoiias Say _* a 1S 3) ee ed Ee ee a Ae ee ees ee 


4 L- 
Lo) (ees Ss OE es Es ee eee SSS ee ee eR ee SaaS aS aS We Be ee Ate oe Be Re 
C's. 2a 2 BO" a Ee eee Se eee eee eee Ee ee ee eee ee | St Raw Dee eee Bee. 
af Ee SD 2S SS Be © SSS 2 ee ee ee ___Eee Ss a | Se eee ee ee coe ee 

0 SS See eee SE BE ye  __ ee a ea] aa moe eel —_{__|_|_ 


18 POSITION. 


, Allegro, \¢= 120) 


ES Essa lseers 
at Hiern Se See SS Soaey ne Sees hoe Seat reas 


ae 2S Se er a ee ee 2 
BS a ee | ae eae a, Ae We ANY wen es er yes a a a A 
[as | OE ce nae Be A 


| ee jy] 
rrr pt Be Bog eae Sa 
8 id. ty tt tae PS 


— zZ 
—— TS ee oto ee es 
ee ee ee ie ay ia 
= a ee See ee ees — a ee 
ae eae a Er Soe CFS. SS 


* This Exercise must be played evenly with a springing Bow. 
Excelsior Violin, Part I. 


=e 
Af 1 
aN (eae 


— 
YL. Sa ee 
Wi a 


Uy .) =e 
ik(.. ie ee ee 


1f POSITION. 


aaa 
ID Soy ay a oe 
en —— 


Excelsior Violin. 


Part Il. 


ES4 Ad See ee eS 
a oe 


ae) 
ee ee i 4 _ ee el _ ear ee 


ae eee 


l 


3 


____. __— —— ee = 

Bim Sew 27 eS Se eS" ke Se ee | om 
=a y Be. Se 

Aa 


14 
1st POSITION. 


ESS a ae ee ETS Seaese ESSE PEP SS 
EE BEE BAA AES iy GIES SSR oS 
eae | ee EE Eee Say SSSA ay cra 2) 20 0 Be  _2  e De ee 
Sl iE Ey JE eS) RN BE P= ao} fe Sl ae A ee a aS 
= SR py ee pce EAN, — poeta at 


el _ AY ee ee 
DES LP any Beet pope ee a 
Say me 4 es Pe eee ARs ey 
ese EARS eae Boe ene 


eee SSI bd Se 6S eee. Aree Pee Bee Se _Se eS Be SSE Sa Se 
i (.) S ( De rR ERY BRAS See ESS =a aa 


en eee = —_ ee a 
i Bea = la @ © 7 ES Ss ey es a oT Zar eT Eesie mes weay fioree ) se 
ee ge gg eg _— 


=’ 


2 Ey eee rh 
p44 (EERE ASE Se MR Sasa ee eed PS Ee ee 


2 SS See SE — a a ee 
we Oa ba  —g a ge aes erm Pee i a Se el ee 
own Be Ban SS ze 2 ne a a =a =a BE BE Ee Ee Ss ES SS Sy 
LN es ee =a EP raies ee SE EE SE Es PS PS HS 


2 fears cae] hese : : Re ee ee IB Ser a a 
1 ee ey Se ear ee  .  ——~ —_ —_- n e es oot os een Ee iy Sy mL SS Sie acy 
zy = (ee a SSS See aS ae Seo aap pf ee 
Mm my RAS a nee Bey ey Ry eT Gy ey oy eS es i gl eee ee 
mel SF ea eey [—— ST A ARTS FNAL ERIE RON VE STE oP ee 1 Oe ee 


VOU ll Oe 
Ee SRS EE AR SIT AUST 
i HSL BR 22 eae Se 0 eee Bw eee 
Sa a WER REA Drewes ag Meer seers SES Ty 


Excelsior Violin. Part II. 


1st POSITION. 15 


A A 
.? £27 SO ey ee ae pe TUS Ee et Sea wy EO SSRERTS SE 
WN ft 7 GEG CSE aS ey eee oa l= a nt ere im | a Li ere DS Be RAG See ET SE BSA 

1S SLD AGS A _ AT J A en, [SEAR ASR ES SS eee Woes ey a a CT La Va ea WET a 
SS a or Pr es 28 Gn i nant ee Tn bet 52.6 en ee ase | = _ = = 


it T: 


A —_ —_ ae ced eae saline baa 
a=’ ee ptf} eee " way Seay aay FE CES eer ee os ee. ee ee 
| @ ~__. t aa [arom Eee es ae ee ree ee Ee Be SS EE ee I eee 
ied Pe eee _ a el ee De en ee ee ey ae Oe 


ogee oscar te _| eee aa re _¢— | —-+ _———— 


a 
iin ok Sa Re ee wer Oe ee ee 
a” AE se — Oa ee EO 


— 


LWT ae Se Ge eee eee eee 


GaaU4 hme Rae er eee eS ee 
1A (eee ee > 
w) pesante. 
4th String. 


Excelsior Violin. Part II. 


16 {st POSITION. 


Grazioso. (d.=72) 


PP Jleyato. 


Fad 
in —_ +s 9 —__—__ 9 — 
(Ges 7 ba sas sy i 
2 SE (SSE 28 I EY al em Pee 


Excelsior Violin, Part II. 


18t POSITION, 17 


18 18 POSITION. 


Saas 4 PS ee ES Ae La 

[eee ee 

es Ga Tee ———— 7 | RG EY BOE ESR SS ESS Lay Ieee. 
AE EO SS PTI SS A Pe es Sg fea aaleoa al MIE eae SEES BAS: <§ Bere Pe BI WS! SS 


= 
LUA hz 


rh 
ya? APs 


ia EE ee 
8... E/E EY Ee SE SSS SS a SS 
1) EER Se Wee ee Sanne! 7 SEUSS Es_A]S oes ES eS 


Excelsior Violin. ' Part I. 


1st. POSITION, 


—_, f 
Ris Se Ee PSS SSA 
Oy Lc et ae a Bie / Eee 1 E /. Uf) / BU eee Ey; (eee eee a 


2 
e. CZ 


Bilaw’ 
i ro re Ao a a mm“, 


eye ES ee a_i eT 
SSS EES SS _t a Se ee 
SS] Soa aD FA SO ee ST EN 
aa 


20 1st POSITION. 


(l= 6a) 


es ee | 
arene eames See 
2 ‘elas a eee See a ee ee I ES Pe a Se ae eae eee meen en ee Ps SER OS 
So JS ee RS a pg ee Ee, ee Ba eae ee, _Aes Se a, A wae PSS 

Bis. 1 2m Gy SES eee ES mae = SSE Bl 46s es ao is 
AA A a a i LN a Le A a Ly La Sa [occ lecscssr RE RRS 


6 | 


Moderato. 


con espress. 


a 
Ea eames eeowees ts | premarin RRS sen pees ae : 
—j-p—— 1 se Se Re a ae iS Ge eZ eo ae SS aa EEG Gel GG RES 
J +! eee —— eter Wg SE 2_4 Ge (RN ATP EA Po 
DIE CP SET EA EA EE RE ns RES SO 
ee eee eee eee! eee Ee ee Bey leet femr Beer Ses GS H 


ie Fis ea be SSS 
ie Mbt Naa een ——p 


18t posITION. 


BAB a 
“earn a a ae aoe Tae ie ia eo ee 
23S] (OS ie CE! ee ee = 
i¢—i—s Eee eb ree Baa 


= 2 eae Sree eaS aS are Se See Oe 
(0) (ln ee) ee 2 es ee ees ee eee eee ee 
tt =. ee ee ee ig} 4 ft 
4) | ee a Oe = | ha —EE— — 
eo 


-Execelsior Violin. Part I. 


22 18t POSITION. 


im. rall-- en. - tan... do|pp Tempo Imo. 


SS ee ee eo ge ae ep as es ae aE eee -——? 
1 ee Ee ee Oe ee = PE AO Pee eee eS 2 46m SSS _ (eee PSSST! 


Excelsior Violin. Part II. 


Exceisier Violin. Part HU. 


SECOND POSITION 


In this position the palm must not touch the Violin. In all of the higher 
ositions, just as in the first one, leave the first finger as a support, on the 
Cnet Up to the third position, let the thumb (just as in the first position) be 
opposite the first and second finger; whilst in the higher positions it must be 

drawn more and more under ‘the neck of the Violin. 
The following exercise is to be practised first with separate strokes, and 
afterwards with bowings as indicated. . 


In the next two exercises the Quarter notes are made in one bow, and a short 
pause made after each note. Example in the first measure.— 


ee ee 5 2 PE EE EE LE RS 
BEES bE”. aS haa a SS Gees es a SES 
a a 


= 

sal Bes (a3 
Se 
SS EAD | ELLE” CPDL” COLI 


Excelsior Violin, Part II. 


29 


pause is to be made, the eighth notes are 


29 POSITION, 


After each dotted quarter note a short 


made at the frog. 


4 


RSS ae See Eee ee ie Lie eae Bee 
5 ES GSI SS= BS 28 [ek een BSE © ae 


SECONDS. 


a 


The lines thus 1_2——== mean that the finger is to be left on the string. 


Played same as the above 


Part 1. 


Excelsior Violin. 


26 24 POSITION. 


THIRDS 


Excelsior Violin, Part I. 


2d POSITION, 27 
Melody. 


; | ety . 
24° at . 
Met 2144 sable ato Cantabile 


=’ gS ET LEE eS i) | _ ag SS ae a 
wy eee __ — bee a ee Mee ieee. ee OE eT Oe ee eee 
DLwea Wane ees ese See a ee ee al ee ee Satta] oe ee ee 

10d EE TT ES EA BE ea ae Lf} i 525] Rete SY pt aw 


Sor. Se ee 
(see al Sa ie aon ome ma ft oe ia ae ess 
te GA ig gt = Saal 
ee lg 


meen TESST coe ; 
eae Se a ee lS BA 8a See Say EG eee 2 eee: eee 2 ae |_____E —l——t ; 
Lf. ja oe eis ae el Bi ee Co Seo Paes Ses ES eee eee EU 
CSS ae en el  _aiee at ee SS Sea 7? ee ee Se ee ee Sees 6S a ee 


_ Pee eee 2 ee ee , 
CRS RES BS 6 SS Ss ESS BS ee en ee a ee ee ee aD 
apa ss De SRD De Sa eS S82 ee eee ee ee ee 2 ee ee 


( ——— aan) SaaS — a —Ez eee so 
(Ge 2a we ee a et ae (SS A ON A A A cs oe oe BS es So eS ee ee ee 
tt pp pep (05 Geis 4 Sted oh Se a a ae a a Oa 


ee Cees oo a Lis zie | ao A 


Exeelsior Violin. Part II. 


Detached with a long bow. 


yro Moderato, 


) Alle 


116 


Cie 


1M (on ee OE EE SE a PE a SP ee SS CS I SE SE ee 


. 
> 


@ Saeed ee Le 


22 Ee Ga RE ES ee Gy em eee ee Ee A 


ee nee Re Ree ey ee _@ee eee a SS SS 


(Oe 2 S_OK f(a PA ee Le ee Be PSS Se ES era 
BNE Seay SEA CSS 1 SN RSS BS Pe PEE RT PES 


| 68" BEE SE RES PTE Ry es PA ASAE CST BEGET GASES Goto ied .|_ SO RE a ee I 


7 = EE) ee ES ES _ Ee EES PSS ES 


Part II,, 


Excelsior Violin, 


24 POSITION. 29 


With the upper half of the Bow 
Moderato. 
= 


ee aa 
1.2 Pees =e ee 2 eee 
i ap GP BS BS Bae eee Ie 
Nd (Bae Bi Ss i =a oa 


@ 7! 
eel 4S Ee ae eee ee PE EM es a eR 
| ee et eee 
eS _ Ae Ep ee, 
_—___— __ ne ey Sea 
en, 


t-a— ie 
ira Eases ay 
le LOR eS eS le ee ee 
= == Ea | a — 


Excelsior, Violin, Part H.- 


30 ynd posITION. 


5 ea” a BOE 4 OO SS _ NI 
eee! 92 hd | ee ee 
rs a eee ay me 


| ‘ety ees es ars mee iat ei Ie e Ee mr 
7 ——wnsietl___emchosa — press — a eae es 


— 


i——— Put the first finger on two Strings. a 
Andante. ' : 


22 


Gn I) aaa ee _ )_ Sees ee aen wesaecstes Sa 
ee 2S) _ 4S Bs 2A ee 
SS Posen 


Excelsior Wiolin. Part YW. 


31 


2nd POSITION. 


Near the tip of the Bow. 
Poco Alleyretto. 
0 


23 


1S S0R @ 


SSS a ee 
ne io, a a 
LEA —— 2 Se eet Eel 
SD Sa 7 a eee 


(a A 
1) See Aaa 2 Oe 
Ut USE a a al se Lee Bal 


a 
ls ACE EE AN vy ee ag 


32: 
294d posi TION. 


y s 
S ee A cE . | Altay ane: EL Ee ee a ST Ay BE ed 
Y Cs SS a ¢_ ee eee Se ES | — eS od 
0 eS Ee ee Ee ee ee | 
a [| | a] 


————— 


Bae 
Ess 
; == 

a 1) ORG Oe |. a 


(EE | Bee EE EE ES 
1 a a a | eg 
js “Gas 


a Se Se ee ee 

———" ee ee ee ee a a a a 

A A 
na 


Excelsior Violin. Part I. 


33 


24 POSITION. 


Pare: 

a oy 

a a 
oe names. 


/ PE aa Re ees if 1 Sa ee a mae al 


ae ‘a a a eT el oo ic) CSS SS SSeS Se ETA 3 af a aes eT ened 
7.0 yy == ee ee, fae) ee ee eee re 2 meee _ = 
rrr? Y 4 —_————"__ = 


mene, 
== 


Cit eee ee | -§— © 2. | 1s aa 
i ae ee — a —— —! ES aa aes See See SES HR ER 
—_ p 


= S hes J ae 
lf os Bea eee _ SESE Sa Ieee meee TG Pes oo Sy a A ee Sa RE a 
Lae ye See me Ga Ree ee es aa Sn 2S ee SOS Seely 


Excelsior Violin Part I 


34 24 POSITION, 


ees ta 
as ~ A rss, 
o] Sp” Se Se 


— . 
i eee ee ee ed es) ie A Pees OF Ps Fo 
a = a EE OS Be 2 MMS 
|_ aa eee SS SS 
YE EE ee ~———. (ee 


eS 


Exeelsior Violin, Pert Ty, 


: 39 
24 POSITION. 2 


A 9S 2 Be ea Gee ee a 
LO en ee eee, _ en ee ee eT A ee ee Ay 
| eel be 


4 

/) 0 a, eT 

Yl {4 ey See 1 See F, 

3 ay 6S Sa ey a EE SERRA 7 ey 
CO) USS ST Ey CO a _ LT 7) 


er _. 


Se a oe = 
—— Fe 


Excelsior Viehin,. Part I. 


36 24 POSITION, 


Adagie sostenute . (J 2178.) 


prc SE € : eS EN SOROS 
2 Se ee ee EG GSI Sl el SP aay — RG mes ey Po 


——— ae ars ee es Re” 
ee ee ee cee A as wee con 


24 POSITION. ae 


(Sy Lot a i a a a er aa PE 
lot eee nm Ee ae 
a. ae Baa 


4 g I Ly i qZ ie F 
0 A Ee AS a BS ey | Se BSS 1 BU ee ee ee Ee Gl ee ee La 
a oe a ee ee ee ee ee ee ee _2 eS ee ee Le eS ae _ ee a a _  _L  e 
we a ESE nn ee ee EE 6 ee ee “EE 
Cae 0 I SE eee LEE [= _ BEE eee, Eee, aes 


ee So Ss E 
See >. “RE Ae ee eS Le 


2S] Dea he 


£ — ae 
SiGe ) ASS Sl ee, Se eee 


: : 4 
a : | ———— — : =a 
— on ne ee 5 aa 
br ee ee ed 
— 


HR mI (aan Sees Sy —_ 


28 ee 

Prins a ae 
| a a a ee DS ee 
= a [Samar yw 


— at 
__. ee I 
FIs | Ree = RRA Pe 
wa aS 


et — et SMe! 1a Se 
—— ™ 7 


: 
rallentando 
morendo. 


“: Wxcelsior Violin, Part I. 


3th 24 POSITION. 


Moderato. J=100 So. 
TE SS —— a —3 


Pizz arco 


A 
ey 2 aa bear SS BS a ES 
eS Sy 


Le tin 


[laf 


4 a 2 ARES =" a aye ac a ees A TT 
ie TE ey Gia 6 | _ ae nee | Oe ee 7 = ee ee 
Uf aw a — eee — i re ee ee Pee ee ee DS eee: 
ay —— # i |_ Seg en a a a SS) (ES) SE Ae BA EY eA 


1 Urco. 
= | ama Eo ae ee et 
A _|h ee es” BEE = oo oor —ooeeT 
RD ey | a 7/00 iG PARROTS) PRO. SER AST Ta AEE TTS RS 1 ET ae Ee 


Execlsior Violin. Part | Cle 


24 postTrron 39 


REE ERT 
So 
EH Ley PS ey Pam eames 

as a Lg3% 


i 7 0 2a oT m_40y 
oa 


: eR 
LSS are ae st SS See ES eyes 


_—~—_ 
a 2 ee 2 a ee es es ee 2 2 ee ee 
Sa = ——- 1 EE ee ee FI Ee ee ee ee eee ae 
ge ee a 7 / | loins a 


on 


Excelsior Violin. Part I. 


40 24 POSITION, 


a ‘nemo A! 14) veer as 

2 CR Os | o_o Peaa ea 
(a 
Noa Bar BEd 


EE _<EECORNESSS FEE Le RE 8 eS” be PG) 2 22S. GEG 60 ARSE ES en ISSSS SS LS SS 
ae) ED La 
P= 


‘8.0! eee See ey ee 
-—} 4 a Nepean SR ce weer ees: 


2 | NE ES LS oe ey SST 
7 


el BOA ee Be ee ee ee ee 
uf Eee BS _as BS 2m Gs) Ge ei Ds es De ee ee — = —~ os 


oo. ee 
BisrtZ 
ms", 


PP oes Toe 
Pizz 


Le ‘IG 0 AEST» | PTA EPS Se Sees GL ee ee 
OS ee) ee eet ee ee ES ee) ew | aes Gee I ST EP 
0 (4. 1 ey AS 1 OL |) ee BS SE EO VE Pe Ge eke). wes. 
Te en ne ge ne oe rere pd REE SSR Lee f 


Excelsior Violin, Part II. . es 


29 POSITION, 4l 


wae ee Sy ewes pa ee eS ee 
FLA kth A -—~—--- -—— Sa ee ey Lf — fe 
ya _—o BP SS ead ess ee ee SSS ae — 


ae a" 
wa’ ae a i 22S SS iret Le FF aw hg lk 
iy TA Sen ee ey 2 ae ee ee BG Ge Re ee -———_—-- ----- a A [eros ) 
we rea bowel - _ neers NE eee rs SD i 1 ee 
DM) ae Sat .. eat —— 


i. a Le hee aaa ee 
9° ss |) | SR SSS ES SL a ay a Ge. Gl eS 


oS SS 2S a ae ee ee Hep aha 4e |) ge ON) ea Le hg Ae | | Ba ee ee 
UD ee ee eT Sy Eyes Bees aa G 
06 A et Se} tg ee ae 


wie a a el 
U.N a 7 es 


1 
RS 2 a een = RE 
aD LE Sea eh Dee eae eee SS ee ES ee 
— a meer — set i 


am 
free 2 CR ea ee Sa 
Lay Ba i a ee ee ee ee ee ee 


Excelsior Violin, Part I. 


42 24 POSITIGN, 


iho ay ene 2 eae 
7 ee A 1 a Le a ae Oe 

ia Ce a Sa Ss Se — ae Se mer” 2. See ee eee 
¥, d_ SRS 6 (oe ee Sa _ 


Wn 
AK j a oe 

i 27.) eee ae Ss (SE BE el I ee eT ae 

i eas Sea RE RE 2 Se at 

SSE eS Ge ae 

—— 


eV, 
a) ie a 7 Se Ss BST es Pees 4 
LN eee re SES) ES 2S 


ae St — ES eee ES ig 
EA CR TSF" Sen Ee BR) SS! NS Sa) Sa ee MS 
een eS eS WY eee 1 A ee e_. eS 


Excelsior Vielia, Part If: 


43 


2d POSITION, 


as ee 
| 


— 


2 Eee ee ea eer 


PRAGY a Se T_, Se A, 


root 
! 
‘48 

| 

L, 

| 

LN 


Jt iT. 22. Sa See oye 


i 
ii 
ib 
| 
h 


: 
: 
| 


US i eee aT 


lL. Dine ee 


| 
it 
i“ 
hu 
== 


d 


Viclin., Pert WW, 


Fixcel.ior 


24 POSITION. 


44 


i 2 a a re 


pre fe 
ye See” eee 
SS es 
= ——— 


we 
: 
: 
b| 
I 
| 
l 
i 
f 
li 
; 
; 
: 
I 
c 


Part II. 


Violin. 


Excelsior 


29 POSITION. 


: 
| 
| 
| } 


a —— WE acer 


poco ral. 


Part I. 


Excelsior Violin. 


2.: POSITION, 


4& 


Alleyre Moderato ( bs 182.) 


c 9 

BA Gal 2 BT ee ee ey Be Loo to np ne EES Eee 2s Le er re 

= a. fa oo ts een a a 7 rae oon CE LR KE aa fm A + posure — 
as We ee a | a —| 


ee 
= ' i oan a SS Sa | ee —|—_ <n eee 
him nS }-— aa Letras 
Let _ | cy oo" a eas ow ieee an AA EY 
ae eg Se ee es ee (eB a 


3 Ag 2 

: 3 , 
wis. e. 
eT 


———— —__. Eee 


| Teles ——| Beams A SS eS A 
— ae ee a ey 
— ——_ a a 
ee 


+ a SS 

2a WE ae 3.48 DAES S ea NAS eS eR As Be ot ees BE. 2 ee eee eS es cau 

27 San ee RS EN Se 22 ee eee eee ee Cee ee eee ae eee  — 

181... ae ZS ee eee Se 2 rae 3 ae ee eee ee ee Le eee ee SSS wea 
! 3 = | a ee ID liane — —_--—_ i Ee ee a 27 pe Bey 


oe & 
Va. ald = —=— 
4 PS  SERETER 
2? BES We  - -. es mens T/A | Pe | 77 Ais Pa —— Be) BSS Sh nee ap. er OO el i Le, A Bei 
SS ea | a eS a ee (ar Se es Sasa py | Ce —— pal oe i oe ee ee a a ae SS ES SP Ss ES, 
crs a tt TG \ gw —-8—3, 9 1 ae a ee ee ee a — Cag a or TP mn a Pe a en a Soo Bea... “ne 
RMSE Sf Geay may a” <TR KER =, ae a an’ p Og _|-g— Po ee | a, == 
, —_ 
dim 
| : a 
iy a SE SEES ERE ES 


Mveel] v Raed py yar v TI. 


24 POSITION. 47 


SSSI? 1S i i “~-" a Ge i el / Ae 2 ee ae EPFaer Se Se ea we RS GSD 26S 
> —— ee Bie RIES Ae ee ee eee ee eo Ba mea a i 4 
—— I) Slt fp Sn ee ih _ 
na “a” ____ ae — ee a 
eS es 


Sim __fonsamnas 


ae ne 


Salsas ae ee oe a le LP eo 2 i 9 ee — 


Sa 
eh ————— ee ee 


ee 
ic’ SSS ww Si ae eS See ee a Ss ee Ue 
tA —— mae BEE BAD 2 oe eee aS SS  _T mr eae. i —m 
TAS = _ ~e a as oe [= 2 et DE A BP Ee ese B 
HOY a ee a _ —~_ Reel eee 2 ee 


Excelsior Violin. Part H. 


46 2d POSITION 


Andantino, ets 126,) 


HO — a a ee a 


mises 
= aoe ee Cua ee 
2 ee ee ee el 2 a | al 6 


Excelsior Violin. Part II, 


24 POSITION, AQ 


i Ee 
tse ma = men Ie A Be See 
SW Sa ad See Bos SS el, Gl DS Pe ee 2 ee mete 


[=] ae eee a a eee SURE 


——— a 


Sea _ 
ert ass ae oe 
lin Ba See on 
e 


eo. ee * ee ee ee 
6a je ie A «| eae a BS 
ie Di eae er ee Ser eS ees 
————— a. 


| a ae 7, 
1S 2G RST ae eS A 
(SS a 


EANGY, 


Las" a — (a > Se Eee SS 
a 20) 2S Be! 5S jel ee ie ed ee b ES Be: 
J a3 a 


1 Dir en. 
retin | ss 3 al _ Sees ic = ES 
pg aaa 
Sara ee ase Ba 1 
ll aS as Ee 
a 
Se _ Al ie ice - ee ee ee. eee” Ga iS eee 


ES Beneoes (eres Re Sa ee Bees 
=I ba Sas EE — FReeeaan a eee 
GEE |_ BP sass 


|} 
A_- I 
af (hia ea 
OSS SS SS ee — ee 


P| ——, a 
iol 207 ji eS > ie ey 1 eee | eee 
(SSO SSS rae > i ard 


Excelsior Violin® Part I. 


dV 24 POSITION. 


dileyretto (42108) 
pert CEI 
iweaeas A 


ae 
a 2a ie Bes 
eS ewe oat” arr a a -_— So — Tess 
Iawey Se SS ae Tal (ES ESE ee —s——_— 


Paes ; 
Pee Le = BoA eS If). P44 eee ee See Se SS SS ns Sa i 
“= = + [ok pil  @ea~eg  - a Via ft mL al (e—*-—_ 
Oe AS HA ae ee Ee je _ a 
aa 6 el I ee i _) 


30 


be, 


— Og a — 1 
nes, ie 


at p ——— 
\g Md Fees FREES BT | ae Pe 
‘a ae ea = —~—] Ft : —m 


— BResaes = 
seaeoroese es Pe@w,@ ay Pie 
\v Fad ar] © Rls 4 ABs 
52e Ee 


pe ee are 7 —=— 
Pg |} Roam aa oe a = 


cee 


Excelsior Violin, Part If. 


24 POSITION, | 5| 


a 
—— (Ce ee. hs 

ary - Bs, — 2 eo _ —_—————— a Bae A BO 1 

ty we =—— | et J 2a P Ons ry if Ree. ee? eee 
Pt al Tis Ow Ed BT Sn eS IME BSEARAG 2 Gt Si Gee eee a. 


ae | 
Dt Sea ae WE” .~ 1) eee e 
os o SS ay l ASS —- Bs ae 
PS ee 


eal 


= Bes PS aw 
= te — Rt —-— mre} im> = 
Leer 


Err 


3B 2 ane ale eee 
Ace 2a i ae 


‘4 
1] =. -— a en a on 
& i ae ’ paki SS oe 2s oe DEE 
oe a ee fs Sel gees Bia Pe a Boe 
YC. LAU LAW KG See eee SSSI 2 ee eS RE 


4 
N 


THIRD POSITION 


The palm of the left hand to touch the lower edye of the Violin. 


4 


Position of the fingers. 


ees 
es ES SS EEE / aay / ET Oa 9 (SS BF 
St / BEREA / CET EES BO) =a 


Excelsior Violin, Part I. 


a] 


3°49 posITION. a3 


oy 0 Po -9 9 0-1 Lara 
a 1 Lee Me ee ee 


—_—— - 
= bs - 2 7, ID eS (A fA, Aaa 
Gs Wt / Ea / aes 4.587 DES eee SS SSS ee ee a ee eee 
@/ Ee / ae ee pn | GSS BESS Baal 2 Gee eee 0 ee ee ee eee 
5 es eae ee Eee pa 

a oe ee 


— 


The first quarter is made with a strong quick bow, making a short rest between the 
two first notes. Example in first measure. 


In the following exercise the last note of each measure is ‘made with a strong 
quick bow, instead of the first. 


=~ 
mh eo he [are ere BT E (ot oe ee ee a Bee ES Se ene 
(SUS ay @ 29 ee oe ae ee ee Se ee ee ee ee A ES ee ee ee 
(aN, EN SS SSS I Se Se ee es ee el ee ee Se faa 
MU{/5 SO ee eS ees I" pelt \_235 Pa Se SS 


Excelsior Violin. Part I. 


34 3°2 posITION.- 
THIRDS. 


PE a es 


PRA ASSENT SS Bee wees EET 
=e eee ee Ge , _ ee SS S SS e eaea 
 —  pencidhaereeee aes! ——" paneling ——! 1 | me) 


SEVENTHS. 


Excelsior Violin. Part I. 


55 


3°4 POSITION, 


Melody. 


Met { 


Ry 

= 

8 

S 

iS | 
x ll 
e 

8 

3 | 
~ 

Wes | 


dolee. 
Oo 7 lO a 2 a 


| 2. aaa Te ES Eas Ree J 


SP; ee eee EE Ee er ee 


4 
J. SS a oe ee ee ee eee ee ee 


= a eel 


Part II. 


. Excelsior Violin. 


3rd POSITION. 


Moderato. 


-_ 


SS saa ae! 


| 
| 
| 
| 


: 


Part Ii. 


Excelsior Violin. 


\ 
324 POSITION, 57 


Weth the upper half of the Bow, 
e 


Moderato. 


"eee 2 a 

2 Wey a Se ee 
z a 
Ha] i 


a ee Tt 

hoy $$ 
Cae PS Gey ery 
aS Sey Wy ey meee wy 


A — 

(a a OURS SS ey Be chy ee eee re 
Dh a a i -) 2 ee Ae ee Ce 
ay 5am eel me 


e eee | ' PSs ee ee . =a ; 
ow ; 2 : AS A © A —— WO RT SO Se CE | 
i ‘ (aoe) ee Bd ae rey eer eee | 

a a a Sae “Ee Geers | 


In the following exercises, as in the preceding: ones, leave the first or second 
finger as much as possible on the string. 


es va 1 SS 2 

4 eee ee ee 2 
2S 2d a_i -—— ee Se =a 
(oi OA CEE) 0.4 eee ee ne ee ee 2 
Ss aL ST Bp i A =— ee see oe ee ee ee 


uy 


With the middle of the Bow. 
Ben Moderato. Fy is { 


s e 
Th as 
Wes ae. 


ete 3:4 PosITION, 


~With the middle of the Bow. 


Molto Moderato. 


——————— 


\  boeneenrl 


OE, BE ESS ——— 
Punt S2S a a Se 


A | ee OEE ES AN AOE AEE 
(oe LO ee 0 ee eS eee Matas 
BM See ae @ IMR BSR ee 


9 9 » Staccato & 
detached. 


= a at RSE 8 OR 5 ES A 


@ 8. @ A.) See 
ar Re A, a a a oT BES SSsa 
GY ee GE BS ae RS SA SSS SSS ES of ROSS 


A AE, EEE, LE ED ED EEE EES EA LA A 
eS Oe PI 
ae — ee a ea 


50 ee a | @ @ 8 4 en 
—— 5 = 


a: ae ——— 


77.6.2 
ee 
EOE Se 


os mus alee ot SSE) Sak 7! A Ea 
2) 4 Re Sa Waa a RE ES 
rte ania 


Sa" BOAR ee es eB AG SA 

@ 4.3) 2 eee Os 0 ed es | 4 oe _ ae ee 
eis 5 et — a ebay 27 WY Ae 
2 SS) ee ee SS er ee 


eS 000, ar en a ae Se eee ee eee ee eee a ee ee ee 
_f ye gg 6g pla i AEE Ss es on nl 80 a a cae 
Si AO | ieee ee == 


4 
GA 6 oS 7 EE 
"SLE GED td 


Ha 507 en 
Bi aaa 
Re een eee 
BSS SEA LETTE 


Excelsior Violin. Part II. 


ee he | 


EB g—! me ee ee Se Las OS DSS Se eT 
he i A AT EE EE Ge PE 
Qa —iC 


Joa aes xe Haw Si pepe 
S Ee aT ae ae oe 
as. oe oo ea 
yaa a as SD DLs | PS LT 
Res pane eR Neer on es 


3'4 POSITION. 


v 
% 
ai 
“ 
ss 


mee” 


yas 


Part II, 


Excelsior Violin, 


60 ord POSITION. 


Alleyro (1 = 120) 


24 


(\ #7 U f 3 . 

eS 2. eS en ee ee ee a ee ee sa ee eee eee. 15 SE ES Eee ee HE 
tn nn ee net Pee. Bee 2 Se Sere Se Soe BS 

Em ee Eee ee ee ee ee SS _ 28 _ 44 _ 4S _ ASR GSI yy eo 

es ee ee ee. eee 2 OE EE ee ee ee eT 


le 
a b bn eT al 2 
SS i iT Sk Ea AA A de es a a ee AY Le 
5 2 Se Se ee ee ee ee ee es Se ae Ea BS 
BSS Be Bere eee y=] 


Excelsior Violin. Part If. 


3rd POSITION. . 61 


z DD) 2 ae ear 
ws ee ee 2 ee 


Ba +. en A 

 .SSi, 6 a OR et 

Of. ys ae ee 
es 7 | 


Oo) ds a — oe ra 

VD) is” 6. DED Ree EW AE |e eee 
Se eee Soe a SE ee 

iN 


é A CEES Ba Ge eee ea, ae 
ee ee ees _ = ~~ 


i Sa ere Me ee ee et ee ee ee 
ma eS ——— ee ee eee ee 


: z S| 
neeacang Soo BS eee ~~ Te) ES ee eae, ~~ 1 SS“ es 
ae = aaa asi eee GO ESO ees ET (Sl eee I 

SS 


Se CF Eee eee en aes Ss ee 


Excelsior Violin. Part I. 


62 329 POSITION, 


Allegretto. (J 2112) La 


tae a s 
(numa iia ma tl Bm Sa) ess SSS Soe asim ea ea ee Ge EES 
A sme i) 9-9 8 i. ._ BS ee eee 2 ee ee ee eee eae ee 2 See 
lease -——bas a ee eo! Ae aL ESS —E ee ze | aS Aol ee iy B 
(REL EA ee ee ee el 3 ————__| ttf |_| li ee ee —— i — — 
E pee 


25 


w.6ce [/—_—_ 
lana a 
Bow ase -—e—_+-¢ eo 


aa —_ _— ee SPP ; 7 


on — a Ep hers = 1 
1S Al) ees Et Se ew Pe eee eS OF, Ue eS ee iiss === ae EWE a SSS 
1 2k 2 es ee 7 ee sD _ 4 2 a =. ee “i — ee. “=e ae me 
z Wee EE SSS CC — i eee — Foal — a ~, See 


oe 

aa 

4 4 = 

OQ. sR 6S eS eS ES SS een Eee Sey el hae ee BS) hs PE ES ES LS es SSS 
c 4 


a ‘mms. 
a .2.e 


~“ en ™— Cen = | a 
eee ee Pe I oe ee 


| EE EE an ED Se ERS be Fi eee 
7 ne ee Se 9 | _e e ee  e .....  e e ——. a 
ec ee A) a 1] a ee ee 2.) Ae betel 1} se = 
Sa SESS Lg _——_ 7 


Sea Raat — JT tO ra ‘ 


.- Bee o_O 
area — le —|-—1-—$1 bef Ree Ae ES 


v 


qa 
ee eee ee ee —— a a A 2A 22k 
7 A LN MR ES” GN An ES AOA REM P's BL ood fateh Geen de iba Po te ee 
FN as el} 1 foie —P 
1a es eee aie Scie ba RE Reena BERETS Aes sl ed —— i Se oe 2 — — — Ss 
A aa LZ 

9) remnants ——~ | ——~"egegeg |g 

1 NDA) SN RS A RN EN es SS aa ae ee 

18 ASR RTA Fs" Dear Ee Ra 


Seay Bass | 


v 


4 


1 SSE eee ES ES SS 7 ee ee ol frais gta ss i Oa A FS 


eee See eee Bieiea vied leaers eee 
oe eee a eee SRE Pel ae la =z z= 


See eee 
2 ee OPE BES ES SN ES _G e s  SS 


Se rr 


> 
The 4th finger to be stretched and the 1st drawn back, while jthe hand remains inthe nOcition prosorthed , 
Excelsior Violin. Part OH. 


3nd POSITION. 63 


i gee aera Rae See os 
— ae Ee en ee ee [aa] Reyes) 
oe 3 - i aoe | aes ES Es emer pwnd 


oa — ~~ = See ee eee at] eS, Sl eas Ses an 
1, 1 LS ae Be im Pe 
ae) ae eee >a 

LS a a al ees 


Sete -p—— ae |) 
a a a a a a a a. Es 


eo =.= otf 


a |} — 9d 


A” Ge ae A 
— 


y | ia GE S A SS ee A Ee ee Ee ee ee Pee Lee ee [| =a Des eee Broes 
7) (Oi 2 eee ee eee Bee ptf lee — — Lhe —|——}-——t —4 gy es === ERE 
a esi Fi beaniil SS ........__ B-—.. “SS os a = at ——| 58 —_—— 


(os S82 TS ST A ST a eT TO 
D 72 we Rees See es SS ES es SE 2 Se ee wee a ee ee 


Excelsior Violin. Part I. 


64. 324 POSITION, 


Alleyro, (d=16) 


Lae RE ee eee! 2A i ee ae ee ese Oe ren Lil 
2 — te Tr lat — —— Se ea 


= 


2 |_| ER I See eS 
ee 
ae eae Ca 


FIRS Le ens oo — @§@8@667 | ToT’? Be jee ae ° eo, as e 
ae eee Ces ee — etenarl oomee gar arte 
So a A a I A ER PUN SS OO HS We 2s is 2 
Ss ) 


<a pment ma 9 — ad — eat —| 
ane Ss" G_prel_@aa, 
-_ 


Excelsior Violin. Part il. 


3d POSITION. 


aN -~ 

4 - ~-- 

DS ee A —+ ++ leases [ff fo} i Sl DR a Sl rerua Dae... « Ey Se. ie eT. PETE TELEN Oe vey 
verona A” 222 |= Oe eee Ts esd aes 2 Eases ee oe » & 2 #.! ee | * in en a 4 
O(a ee ee eT Ss fortes i ran a Yl oo eS Sema ee 
a a nn erred nett —]—4PY ame _ eee | ESR 7a Sera 


4 a 4 


6 


o> eer ee a [== Peg El 23 EEL? SST a a ee se 
ww, pp et ey =e ( 2 eee pl 24) ABE Ee PE ee ee ee 
fs SRR es reece sae A ae mee! wie oe he te La tS the hn hs Pu ie wie wer eee | ee a Fg | ae 
| eee ee a a ._JES Rs -——_—_© wet Pee j-—_j_F | F {Fy epee et Fat ee 


- as 2 Sar A 


(LAS —— es eee 


ae ee 
_-—i“‘(<(i#a‘#;<“;é'!d A [SS (Se at tf CLT semi ao 
| a a ee 2 
f ae 


= =a = 
Sa = eT et 
if el eee ene ee ee Oe eee ee 2 
G Aas EEE, PETG 


ST a a ST Pane eee Geen ee ag eg io oe er gn GS, ES a 
- SSS ae 7 ee, 7 ee 7 ee ee eee ae VET ee SR 2ST) 2 2S “Se 7 A ie * a eT 
| 0 EE A 0 ee © ey ee a WS) a SS ee 8 ee ea 0 ee, (Fee CLO Se ) BS SS 2 Sy SE) WI RE 6 ey EA 


ST - = nn Re Saas SS Sa SSS 

ol SE ae. CT 72 a 7 ee 7 ee eo "eee. Ee) ee 

2 © 2 SSS Ss en Se ey ee ee 0 a © ED PS Sy RS I WEES Y EY AS ESD | 
a Sy San pay ey ey Rae eee Ee ee ee ee 


Exeelsior Violin. Part II. 


Positzon of the fingers 


Frew US 2 D. 466s3 4 aes PS ae as SSS VER MERE [DGS OS 


a = 
aa 
| 


dl 22 2 T_T (ET ST Bi Ge Bee 2 ee 0 


eee ‘ee (Se a (en I | Se Tee (CP, 
Se ee 2 A Sey 7 A oo el a ee ee eee BOY Sr 


a 
a 
| 
a 
m 
| 


Part IT. 


Excelsior Violin. 


67 


4th PosITION. 


Position of the fin 


_ SECONDS, 


FHIRDS 


~~ BS 


FOURTHS. 


Part LT. 


Excelsior Violin ° 


——— 


ae 4th posrTion, 


FIFTHS. 


Wee 2 


1 4) SE (A SS a ae 
"eS CS Sil, ae i LE ISS ELS SSS Se SS 


OCTAVES. 4 


ar aa (Ee are as Seay 
ME TPE SS 2 Pe ES SS Po eS Lease eae Sere ,—_|—_¢ 


WINTHS. a 


Excelsior Violin. Part II. 


69 


4th posITION. 


f\ 
Ss | ae 2 ie ae 
| TEEN TT” : 


ae a Gs ee ee 
5 (2235) be a eee” a 
Ley SS Se eee 


a 


— 

ww PP Ta 
26S SS  ~eee 
|_| _— &_ —~—mm 


A # — | 
JJC 2) (a eens May a ae 
Ji {oD De nee ee een eee eee 


17 


fo J. ee a a El Se Te ee Ee Pe | EE Se DE Ee ee ee ee 
ee Sy Pa a ESS " ER 


U 
SES! 2. ner a Se J eed ee ee 
4 _—~ a _ 
Se 


Excelsior Violin. Part II. 


4th POSITION. 


MELODY. 


=72 Andantino. 


Met d 


| 
CI 
hy 
| | ‘ 


Violin. Part I. 


Excelsior 


| 


71 


Ath POSITION. 


4 
" 
h 
| 
> 
K 
tf 
a 


ae 22s 
Re nh 


i 


: Ce 
UL Ri. J 


Part I. 


Exeelsior Violin. 


4th posiTION. 


er 


~ 


| 
( 
' 


A 


S 


~ with the middle of the Bow. 
oe 
a 
es 
are] 
| 4 


Allegro agitato. 


a 
4 —e 
EN Es 
9 (sa REE Ry ES) (a a 
oe F 


Part Ii, 


Violin. 


Excelsior 


Ath POSITION. 73 


‘= -— See ee ee 2037-8 3 by ne hel ee 
200 et ies 9 es eo oe dae el Ba ey 
A SEEN ser Wea a Ie 2 a ___ pee ge 
e = . pez =P 


Allegretto. Menthe port of the Bow. 


pecs) ae es as 
a iets | + Ow coins 
~~ SLR a Se a ae 
_ “I , ESS _ 2 ES 


to Sooo a a oe a a 7 2 ia Gt 7 ee a CG Sa Se ee eS ee ee ee a ee ee Sa EE Eee aa 1 PE 
7 7 2 ee ey oo a fo] Lav SOS BS Pr ee ee eo es ae ee ae ee A pg AS ee eg Oe 
Be Lg: Gy =e oe ee a foo Bes caas ea al ocala” 7 lol a” FS BE EES EE 
mee a" eee SRS) Sve ee eee Ses 


SSS | eee ee SS Oe eee aay 2 Sees eee 
(Seen Ee eS Ee a ee ee ee ee eR 7 es ee Pe ee + 
(SFiS SSeS Se Te ey 7 ee ee Ee 7 ee ee” ee ee ie ee eee ea Sf 

(Fhe? Se SSE eS aaa eee (oD be SS 


vo’ 22.8, ae ae RAR Pe Saas Ee ae fo — 9 
i a aS ay Mine Ae 
aia 
ha a 


Excelsior Violin, Part II. 


TA Ath POSITION. 
Allegretto. (de 132) 
a A en 


23 


eG 27 ee ee ee a he: Gas ee eS eS 2 ee ee ee ee Gof ft Sees 
Pe AS eee eee ee ee Ae eet ——} re a —| Se (WORE (RER ee 


-—— eee = —— 
__ 


—# a 


sear meee Ce mee —— 
a ey —t ttt ea yy ns a ee foe i Bs ee a ay 
(2M) ee ea a SR GEE aL ey a ae Saestars a a eel Le ry ser eel fn |) S_2y Eee er ee 


ats — te BSE Bee A Ss 
@ . 9 ae ee ee ee pe —_ 


R ae 


iP ———a = — =Z—. : Wess 

2 ee —— <—<$_____ _ a ee Se A DS 
1 i eT eS Dn | Ra a i “nT at a See Sse 
VEE bikin (GS Goris sil IN Ges Sere Seo a a a Se ea Bos eee Pa Se a ES 


Se? a BEES Ae a Sar Se Ae eee Se 
ne, GT . es en es Oe) Le a ee be _ eS ES ee ee 


Ge ar. ee ee ee eee =. ~~ ———__ ees __ Sa es OY 0 = 
@ GG Sr | Se nee. SEE pes ee ee ee EE ES ee ee EEE Ee Se tg | gd ee weno: fT} 
Sf. Wh ee ee SE Be, SE A 2 ee ee ee See Mt ESTAS SY ess Ss a BeOS | nee a ie as sc 

i EE A FO SS SA Cs A OF ey E62 i 0 Se RS SS SR SS ey PSS Sh __t gg 


i 
i a Bae Bee mms 
* 
FQe", Da a ge yun Roe a ee ES | ae Sorc a i | g—_|¢—|4— SS yes ar ee SE Sey CL 
i Gel a 


Excelsior Violin. Pert II. 


4th posi TION. 79 


nna {Ee ee | re} in| Lenten 
— je = it 


TS ES Ee ea oe a 
SO) BM nT Wen ee: er sen ess 
t=] fon Joc ae ond Se hot Bey Meee Prose ey 


ee = aed ee es ee 
= i me a a beech at 


| 

|} sory errs aes 5 ao ene al oo ee = ee 2 ee ee eee 

eS Soe a a Ss BS Sa LISS). SG ty eel eee eee os ees ee Ra Rees Bena 
a" Fp Sas ae aes {ge ——i __ tg SSS Sa ESSE tS aS a 2 eS ee PS BS SS 


4 


1 me ard 1 SBI Rn Zi le Aes 
@ 2264/4 eee 5 
we i— a 

IN eee E aoe 


7 ; : ea Ea" 


*, ) Sie 


ad 
|_ Sis 11) 8 ES Bas 28 ES Se Ee a ian Ear _ eee 
zi ie - | a 


ae a 


Aw 

ey Mia | a ES eee ee ee eee ee ETT 

eS rem poe EE DEY ES aS ae es ey OS 
| aa ‘ease Ja Se 0 eee eet ee ee ee ES Ee ee eS ee Eee ee es ie Dn a aa ey ee milly Bs 

0 OY iy 2S SKS SRR Ey ES Dr wa TR ee ay See Bee 2 eee 6 ee | ee et ee ee ee 


$B s — ~~ 1Q EH vase i ae i Se a — 
fe A cee SS eae CESS Se oe el ae eo ee ee ee 
a Fear es (or a ao a me ae By £2 2 eS Rey el er ee ee Oe ee Pe Ee ee ee ee oe ee a ee 
MVS Se A eee a ee SW ASO SS eS WW Ae SP 2 eee eee See ee eee 


Excelsior Violin, Part II. 


76 4th POSITION, 


Alleyretto, (4 =112) 


meer Ae 25 p+} —_t_} tet 
AGS AM Mee eee oa 


L_] 
(Se Se _ ee EE A ee ee ee ee EE Pe) Pe SSS Me 
a ee ee ee asl BN : [| et gt a ey a SS I 
a S54 — a BE fee eg -—ia 
—— ee Ee Eee [= OO 


= — s dg 
a on = ———- 
ieee Ta 


oe e 
A ee A PN See |S ess aS Sf ., Ae Se >—_2—1——_ = 
lent? Ot» | Oe Oe ee it a 


sae ag 
ae Se ES a es SS Pec Aa Ae Oma SS ee ae eee =e ——— ae | het ae [et ie. a ———————" 
iy . GL Re Dee RE een ee Sas eer SS SS a = Ss 
ETT LATED, BIE TAIT SEE IT ed EEE 
— 


=a — 2=—s _—|—— a — a ee ee i EEE 

i. Te 2 ES S| | _ Be ee 

He SS ao} ig po een el a +o} hig —_ + i to 2 ooeies pe see ——— _— — a 
—_ 


lama San 


Sass a £ 
Sal eee a a RU — i a I eS 
B.S Sa 


a sae 
el § a ee 


Excelsior Violin. Part I. 


aj 


4th posITION,. 7 


_ we) 
: So BAe ee a oo eee ee EL) BE Te oe = ar oa 
= he — a St _.._.. Se a == 


WT. 
A ad 
Jo. SU) Da 7 Fs 


<e\—*o- see eee ee ee ee 


a 
2 ee ae ee SS ee a = —— eee eer 
e ‘Glew... BE Elie een ia 


in ET 
vy ao | +} ee mm ae Bee ee mi et Wa as 
ee rr eS Sas es a ee ee ee eee pa 

Eas PPere eae ; 


(ee ae Ee ee ee ——|__ fod _ fea — 
| | 


Sa SS ae pa] 
| 2 i ee a a as ee] 
Al 


{a ‘=e [#4 (OG i ae ee ee _<e-ee e sso }+——+—| --f 2S SA ey a 
La) — a ee (al esa =! WS i Sew ee se 
BR 


ae mt Sere ae Se mE om 


Kevealaior Violin, Part IU. 


78 


FIFTH POSITION 


Explanation of Signs, 
I On the First String. 
Ii On the Seeona String. 
III On the Third String. 


IV On the FourthString. 


The fingering corresponds to that of the first position. 


Excelsior Violin. Part H, 


Position of the fingers 


doth POSITION, 79 


Sa fr Se ae ee ee ee / Es ew less ES’ EA See De > ee ee ee ee ccs ate 
= = | 
Wo Ae So) oe 6 ()_@ .. ee (eee es ee ee ee ee ee en re 
2S 2s ee Sea eae ee ee 2] ae SS i ee 


(CER SS SS 6 2 EE a er EE EU AS eT 2 
‘ancy (SS SU Sin Eee De ee 0 ee Be ee eee I ee Eee ee) ee eee Ge Pe * 2 ee A” Oe 
IO CS) 2 DD Oe a ee a | | 2 A 5 ee. 

Ve eee ee ee ee i ee eee Dee ee 


S| ane ee ee ee 
ee gy ot tr E44 en” 


‘) So Gee ee ee Ga eS 
EE 


Exeelsior Violin, Part II. 2 


$0 Sth POSITION. 


FOURTHS. 


SIXTHS. 


Excelsior Violin. Part I. 


5th POSITION, 
“The followiny melody is to be played with avery liyht bow, two sixteenths at the tip,and two at the frog. Bl 


Melody. 


oad =83, U Allegr Sune: 


15 


al we io vi C 
—————— a a a 2 SSS | eS eae ee ESS SS bo eae ee Sissies 
aaa aa [aeeneeon | = ee | Se — aI 
eae ea 


Bg 
__ 2S eee ee ee eee Bee ee 
— GR e=S — 1 Ie ees — ed ee —[-—- He! el Eee 


“Exceisior Violin. Part OH. 


39 5th posiTiIoNn. 


iy 


‘eH Saean sas Say BW a a on al 

7 eee Se FW OAs = Cy i meee Bas a - 1c @ 

WR oc ne i — oe A a a eer me 2 
____ oa Bi xn a Ee — a ee a —-— eee... 


r vt 
Y...61._-) "AG tas SS 


16 


feiseses ed 
aya CaO Be SE =a i a a oS a meas ON 
g yf aa i a ae aa Be 
aes 2 eee ee 2 ff pf 
eo FY ee 


tan a) 1 fs sere eemarerenen Ol mae) UT 


Va 


ad: 
|_ a en! oan een i SS ee aves Fees tet} tt 
O 2 ta, sea 6) el Dy eS ES pa 2 SS Be BS - i ee Se 
mk oe 
U 


Cae alee Bey 
4 


Excelsior Violin, Part II. 


Sth POSITION, - &3 


A 
ee a ee 1 ee en ez ee —— A ea 
lal {2 oe Oe 


Saat a De eee Ae 
(0) Si ey 2 2 ee en ees ee ee ee 
we Lt Ht Be SS 2 ASS Ae oe be ea 


a an ee eee SS a eI 

a —-aas : an eel RE ES ee ee Bee ee ee 

Ul a | es ex Z Te sean (oor SaaS Se a) Eee SESS Neat 
0 a == f a eS eee 


= sabes 


a 
| | ad 
aa Se" m_@9 2 ee, ee ee 
Ea Fe Sa” PE RARE | 


Exeeisior Violin, Part It. 


84 . oth POSITION, . 
Andante Maestoso, (d=92). I 


A r ——" ne 
1 @ 2 by Ome GSTS. et eee Ae eee) es I OS RSIS po 
— 


Be caren Gece ww 
eo ~~ "a ae PE BR , Ee ES IS Beers A 
~~ i Sas ee © ga ee rer’ be 

Pease 


20 


3 Se eee iy ye 


mE BES WS ES Ea aT Pw Sel ya 
a a a ee I a BL el 
ea ~—__ = b/|_4 to 
—— eS — 


) 


eo f ——te ao e452 25 cr 2 : ll . e “ —_ 
= . 2 ° 3 
3 1 Ae ee eT ad A A Ra C—O a _ A RE GS GN | A Sl Se RS 
2.0. Ee ee 2 eee SS pee "= S| el ee ee ee ee See Se Pe ee’ Sl ess SSS 
Hes —— I ee ee ee ee = lee. See EE ee ee ey ee ee ee, 
a ee ee PS alee ER aaa PE et Bo 


pe TS Se 2 eet 
BB. SE Jai Ee EN 
Se ne eee ee eee eee 
~~. Se _.wee eee 


5th posi TION, 85 


DEES 2 a ee ee 
2 Be Ra Pe ee en es) Ie me 
aly Ae Sass pe 


7. s 
TR ed ea | 
Ne 
— 


ea 
= wz SS —— —— rs il B44 leer 5 


__—__ : 
Fi SS ees WT” ee aa en el a 
ie SE 6 OS OO A A NN ee Da Se coe 

SSS ET I ee may a Ee Se Ee Se ee Ge ee ee eee 


_ - 
= a — i] Se Be eer ee Bmiiin Benes FT. a ee ee ee if rea 
oS St ae 2 el ae S230 5-4 SS Rie me a 23 (Gt _ .S ae 
(St a 7 re enn ae eee KASS eta 
VO 


ere eR ee ee ee  e_ eee eee eee 


—— — Si 

pep pias ae eres] | —} tal oP fal no he Gs he ie A eee TD as am T° BP Me De —_— s aa 
7 al Lee eH RA” en Ee | a RRR aE RE, ERS eEaTEES 
E33 Abel 3 ATER dia" _<e ees ae ee a A 


Ea ee ee ES ee 
(3S a Ee ee (a a ae ET wie Bee 
“. ae tt ft ee EE Ee ie ee ee _ poe aa ae 


4 ba. = Sa 


7 DE a ee eet eS) LS eS Bs Sy 
2 mae aa =a — 
7. ee oe ee. i=- =~ aeae em ai ea a Gy = es = ——} —|——_= ig 
=a 


Bim 3 ee aa as 
|_ LS Le I ee eee rr 


Excelsior Violin, Part II. 


5th posiTiIon, 


(5S GS cee oe ee BS (Ed ae 
A SPS A SS TI RSL eo Ee , 
a a a a ey ee BB el _ 


ee ee ee 


a 2 ee eo ee ee) ee SE Ee 


20 2 WS Ae 


Ee CES BF OO 


Eton ce 


op ar 


86 


; ‘rit 
aE 
; tt 


i 
x4 
[1 


a 
—__ 
es — 
— | 


PSEA GA ee Ee A RS | I 


ees ee — — 2 ee 0 ee ee ee ee ee ee ee 


me 


- a ———— rf ra a” 


ar aaa 
Lee Sas 
= 

= 

= 

Eas 

Lob] 

i 

sy 

aeaea 

Ee 

pana 


| Nea | 
1 ih . 
iv 7 Hits ‘ 
. 1 ( 
f A ly 
ao H i 
" Mies, at 
W 5 ' Hil cad 
Ml (o1 URE: t 
Wl aL j Peper 
an : : | ‘ea 
aT “thy f i 
Hilt i ee Pt 
a [ 

Hf | 
au " 4 
° ‘e] ; i / 1 
ui i I : 
i : 

| 5 mi 
1) HH Ae 
et || WY | 
HH tH i 

Pr 1 

ie tte Ml | 
= Ae b A 

a ig wD il 11) 

TH If | il wll 
wt + antl Mi a: 


fo 


@ ».i) aaa es 


Be Se ~~ ee es a ee 


te Ee Eee ee eS 


= 


2A us ee 
1 = 


‘ 


bk 

ae 
i 
ie 


: 4) 
es 


| 


Ke 


16 


a 
e 
Ras! 
= 


7) 


%, 


Part If. 


Excelsior Violin. 


5th posITION. 87 


on co: 
ee ereetthe tettie sions Lee —__ Ng eae etal 


a ‘2 ee Se [clei Seattle aed —| [praia Pestle —-peclereed 1) a2 ewes 2 ee = : iid 
© Rh 6 a ee a a neoaprs — Sern — teases — ad — i =e eee ee ot eg ot ——— | te ee | 
ae 


CO Mi a a” oF a al 


ane Fon ee maa 
07 AL a es oe es a a ee Yo, 20-5 —-—-—— a ee SS fae) as ES ce 
1 
Ade 2\ 
J aaa i 3 Sol me RE RS EE ee Nene AEE Seaees RoEeee eee ers 
—— BLT eS Te ee, WR EE DS ee el Ie - MES eT 


GA. Bee eee ae 9.4 / Sa Saar el Ps Pe 


——— 


3s |_| ee ai 53 hi” = eee — he ee ee ee 
: rena TER 


a tit i aia BES en ees ae (SS SSS 
Uo Tin i BR ax 7 WP ea eee Sy SES es <= or or cases reseaea mee ar ea a oe oe oe jh SiGe a ha ae cea 
Been er hy 2 | Af ot a aaa ji * @& @& @ (728 q's. 
a 
2 bs bi 
0, my Cc —_ o> a be 
C : : Fe 
| gg POE TT _ ot Se SK aoe sa aia eae ae amie Rare 1 ed pba ahi ry 
ow ee | mE ose no gg ee ee ee. EE — ——.- 2 ee ee eee ee eee Ct ee ° SRS SR” SOY a A OS RY 
li. ca 7 ee i ee eed ee _ J en Sy Ee es GR eee i 
1. 2 Op a US pee LS Se Bie ne EE EST TCS a PS ST A  —" ee ee ee ee 
fz . | 
Tila, ee Tt 2S EES Ee BE Se OO a RE Se es ES SD Tae ee, Se DT ES et Ee Re Ee BE een eee eee ay § 
Va EY Ee Ee ee ee ee eee ee eee ee eee ee Di_t DA hy BE St ae ee eee ee ee ee p— 5 to 


a Excelsior Violin. Part I. 


88 


SIXTH POSITION 


- Position of the fingers 


ing to the second 


Correspond 


The following exercises are to be played with a strong tone in the middle of the bow. 


eS Ss Ea See ee 
ee ESSA ee Eee 


ee (i) - a Raa B 


JSS |) Jee A Seee Eo SS Eee 2 ES es 


Part Il. 


Excelsior Violin. 


6th posI TION, 89 


1 1 


Excelsior Violin. Part Il. 


90 


6th POSITION, 


FIFTHS & SIXTHS. | ae ; 
1 1 r Ad 


A A : 

| SD 2 ET TE PE eH PE Re | Res RE ae EES RE ES ARS Ree 
i SERS SES EET (EEE) ee Ee BS AS) ee Ea Re \* Fe 

{iE ad De Ee a a Lae eee 

LY Bo STRETTON 


OCTAVES.: 


2 3 


Allegretto. 


aa ee Ga SS eS "eee Ee ee se er, 
& Sy WEES Ea Bass peat aa 


eS Ge Ree EE TS) cag, Joe WEESAE YO Es 
5S rE ees SE oem ST eS  , _  )  _ _  _ _ee 
om me See ad ae a a ee S.A 
EST oe 1 £9 Sa 


¢ 
rthe 2 


eo EX rare: 


a) o_o (ee Cee EEE LI Ci AR PES RL Ge RE CS FS, ee RET RS co SS —— eR PPPS TY A SE PPAR. | 


Kixecelctor Violin. Part I. 


6th POSITION. 91 


SY FARE ESRD Tore z : = 
Andan ett ie elt £2 LT ee oe 
Pte # —O—— ml 


I-91 _k ss —— SS : D 4 
Os] 2 DELL Db ES eens Sen Oe ee RS (22 SS SE SS SE Re EE BS ee EE Ge ee ee 


be es % 
SS ae: 


: ye 7? (Sarees. 2.7? Tea ee ee ios Gea ees ee =<, fEEE BBA DS Ae eee + i] 
v. eee SEE 


wa 
an 
P 


dan 
i 
i 
“ll 
Rie 
ti 
r 
i! 
i su 
| 
| : 
| : 
Ml 


Tlie I DS. 2 Fe Bee ee SCT St Ee i ee I ne ee ee ee ay aa Se ie es Ee ee arSesscai 
| Sl GE Ce el I i GE Le EE ee ee ee eee eee eee eee ee eee ee eee == ma SE ey ea eS BR ae Si 
i“ (ean er a ne ne ne Eee ee ee ee ee Base aaa a ae a ee i Gs era! 


Lae Ss Sh en ere ee ee eee WS eee 2 aes 
BS BS ee ee ee Le a oe ee 
Bee eee oi || eee —j|—_j jf 7 rt re} x ee a i: 


Beer? | : a ~ og ee 


0 
0 ee ' 

IV \ = Ce & CY a a 
ff == Sane Sia Mace by We pee Gey Mee Rees cm ee pay eg see ra pg ee eg Cd EO ee 
ioe , i ie ee TT ee es — a 
Re SF re te |p| Le + — eS — 

ab | = <a | ee a 
aoe ae ‘ 4 re =e a : 
es See _ Se EE ee SR ee SO ee 
w (ESSE SS i Re ee ee ee Ee ee BE MS SE GSE RES CREE EE EAE Geel SE 
Of) SS Se RT 1 ee_rlee er a a ee Ee ESS fed ees 
LS SS A! SE A La 
; — i <—aaiesie se 


name} 
co 
Fe id ee SS aes , 2B eee 
————e G.I ESSS Be Ee Sees es) ee eee 
————— = 2 ee eee RW Dey Ae | 
et —_2_| itt 
eee: —— SS 


SSS ieee 


92 ‘* 6th posITION, 


Allegretto Moderato. 
IV 


_ Excelsior Violin, Part 1. 


€ 
e 


9 


so 


Bh eww See ae 


6th POSITION, 
3 aoe 2% 


1922 


i3 


Allegretto. (dz126.) 
2 


bad 


WA B SSP 49 eee 


[1 WU ol | TT 
TT L Tf HT 
rf th ul t 
| , al ail i ry 
Ht Al i “tid 
H iy ill i Ht 
i ihihy th Ith it a Ht 
: - We P N) 
Ht : H i tt 4 HIP 
a HT ill il all 
a Hy TT ill | 
+H fl Tl ill Ht 
- Hl ) [| Hl Pe il 
f m i ' 
, i il . ‘il jin, ! 
i | HI! ry il 
Hl . i 1] | sil 
if i il it 
il nl il l | 
a il ] 
is iT ! 
i fl | 
(i hit! 
Td 
rte 
ut i | 
Hin litt 


Lt 
es ee ae ee eee |} tL 
lS eee SSS Bere 
SS! heen eee a 
= hae eee SS 
; yyy ae See eee 
S, 
Le he i i a eee 
Sy SS Se ee he a 
SS eee 


< 


lo) pS eS tS ee ee ae Ieee eer “eee ae _ eee ay ws 


17 


0 fe a 
Sn / ee 
.) lS ee 
Qnay U 
4 
|= 7 ie a hn aw Je eee 


Sl ee ee ee een ee 


Lo a Sa a a a a a eh A 2 


f 
@ a 


Part i. 


Exeelsior Violin. 


8 8 a bere SS 


fae ie es es ES TE OS RS SS RS SS  _ _ _ 


6th POSITION, 


94 


y 


| 


acc 


\ 


4 


= EEE A Ee ee 7 a) eC ee Bs A ES 
9 sR 2 0 ee ee eee eee ee ee ee eee ee 


11( 10 es ee "ee _ 


|| __ raat 


AT 

it 
Hh 

MT 

Hi 

Ua! 

i 


‘N 
ih 


HN 
Hl 
WT 
ihl 


: 


y wy) 
hil 


QS 


mM 6 Oy 

i 

il 

| 

| 

| 

t | 
lili 


i | 
Th 

2} 

i 

| 

i 

ie flil 
Ul 

Ui 

Gi 

a 

UW 

TTS 


DN ee eon eed 


a= 


2? J. da DN FOR La a) BS SE aes de ee 
yy QI GS ee En Ee 


Mo. eee 


vas’ ar. 


hele 


Part I. 


Excelsior Violin, 


95 


ES BSE TASS ARES LA SRS 


= 4 


pF FE EEE fF fr pee £ tt 


a 
| 
a 
| 

ne 

dl 
1 

4 
| 
q 
f 
| 
| 
Rs 


Position of the fingers 


SEVENTH POSITION 


Corresponding to the third, 


4 
 # 


7a" 2 ee 2 a? 2 ee ee 2 ee 


2 ee (ae Se es 


_ a * 2” 2 __ a 2 


* 
« 

sa. 

oo 222 G2 (ee 6 ee ee 


Part I. 


Excelsior Violin. ; 


JGEL, ESS ee a SS IS 


Excelsior Violin, 


‘2 a J CEE AE I a a Ng ee hat 

EE Ee Be ee N/E ee Gy Wey ee ee Pe jah 

fp 2 EE Be RS RE ae el RE 
Mi) AE REET EEE EAE PE) GE) RD ESS) Be GS Ss ee lee OS ee ie is MPs 


7th posiTION, 


een a SE RE a nT I NESE WTR PETE RE] TT aes Dee eae eS 

Ee EE) REE I (Sel eee a ES ROS ee Ge ES) I ed a ES BSS 

(SQ Mebane Gea ee Pi he pee Reha me SSIs es eS A 
Be Sr a EY ey Re ES Sy ee Sessa Fo 


Part I, 


ei Sl eases by My / BES ES 9-7 —e— 
Ss SS Ee Eee eae = as pea fp as PST A RS 
EY A L—_g§—3——_g—__l FES ET cea G8 2 SE PR CHBL TAT STA EA 


7th post TION. 97 


FOURTHS. 


FIFTHS. | ae 


SIXTHS. ot te Pe 


“See 1a See GEES be. ES ee San aa bn cocina Bs sere wes re os ened aaa ee 
11 WEES SS hl BESS bh Bee 0 ee oe pan ae We =_ es eee ee S| 


ee Ee eon 


=) SS as 0 ee LS 9 eee 2 EE 0 ee en © 2 Ee Aes Pe Eee 6 ee 
— (0 00) Ly? £2 {Se US i ae Sree 7 PE» ees ne * A Ge” Ae I” EV Se 
a (iC een eee ae eee eee ee eee 


SEVENTHS. 


Excelsior Violin. Part U0 


th z 
98 ; 7th POSITION. 


see £ 
t estes caleba 3 
1 i i HT lia =~" inne SSR e 4 SS Sess 1S SSS 
A, fee Ee TO lL SP eee ij - "a ay 
—e [| | @ eats St = ___ Siete REMMeem 6H EE SEES MR ee SN 
|_| joa > Se L — 


rt 2 Sr 
; a 
Hest 


Ae BEES Tay ET oe a ED EA, _S_T (S ae | EY ES aa 
aS AA AE CREE ARR (A RA A CEA (SRR (NT ON IS ER OS RTS a 
Easy by oe Ee aa are Se aa 


3 e 
N3 Z 8 . r 5 °3 ° 
A 0 0 0 : 
oo 2 dO a PS EEN MARRIES SS SS I | | 
w Ges ee BSS (ad Me es Re a ed LS LS SS I eS NS CS CS ES (eS Ce 
eS" ; = _ ae Sey ESS 
acer RRs 5 ES Pee ee PS ea Se 


a — “ St a /, RSS He SSS Si. PSS Se — 

& «Sa a a 2 el ee SESE PEE MEE ae (SS BE ee a Ss ee 
i.e SO ee see | ee ee ee ee a ee) yy / Ren ee Ey a, 
ecey a Cael a ee ed). Se ES Ee ES Sad MERE em Geet (SS S g ae 

| as 3° g ° ag — 3 

CB as ie og. co == 

Se Ces tae 3 dy co e i" me oS 
' ‘ S Ay a as : cr “et 2 bd 2) 

So ite ay Pal ee RS ee ee el ee EI I A EE | Ee PRE ES Wee Wa eT 
0. ee es ee es Ge ee ee ee es ee ee_ a NS eS a ee es ead 
= i a see 


Lig Han Ree eee ee At nee SS 
pu 3 


1? ere SA See ees — oe Ga — I Ee 
AH — 9 — et — feet | faa — eo —t 
‘co, a a a 
a es a 


—_——! 


15 


JAH . 
2 2 eee ee ee ee ee eee 2 ee eee, 
TH OP 20 ee ee a eee ee _ee 
$8 {op WO ee eer ES ee Saf —— Eines 
I”, a 


| 
Fie ey as are _ SS 
Bh. Be hoe a ee ey 


Excelsior Violin, Part I. 


TWO EXERCISES IN THE HALF POSITION. 99 


Put the first finger close to the nut 


—"_. 
= 
a 
fg 8 oe ee 


i 5. A 
a. omar" LJ i iv eae aoa ce 2 CE 
EE Se aT ae “ae ae Pa eee CAA LSA a A I RT oo 
Of. oUt ee Ad N.C ae ee ee ee 
C0 a a el a a a eee 
ee Ee 


Aw %, ss fi 
ye ee SP ia am Se 
_ NLS i 2 ee mae 
ES a a a | 0-0 oe at a rr ar 
Sy xg a oe aes LaLa Spa Sa a_aea ie Bees 


is Ci af oe 
CLO 1 Se 
(2. iLL Saal — i et Sarr 5 ee ee ee 

SUS iS ee pl gx JAS 


_—— 4 
ee a eel ES a 
L _¢ EY 6S Aes i ees ee eee SIS ES ee EE ee eee ee ee ee ae Ee) ee ae 
ee Bikey Bass aay ——— CALI aC ALS 2 ee ES Se Ss ee ee ee ee ee e_ ee ey ee ee eee ee 
iS ee ee en Eee ee ee ee ee ee ee ee ee ee ee ee ee ee eee, <0 


(—'“ a SS a [ae ee ee ed 
Os ae! aa eee ee 
. LI LE Pen eae oe See eee 

A a al 8 A EA ae Bea 


Excelsior Violin, Part WT. 


TT bay 
il ort Li af 

| cl i, SHE 

\ | ; elt J 

TH The el 

LT ith ma DTT 
Cull ! ilk aI 

; iT 
Hee, Uh i 
i : il 

, lhe lll ' / Eso) 
“a ay Ul BR) Gta] ae 
Cy) HM) i) Sg 
ne epee Liisa i 
et fici tr : 

ii Hh ott Al MS 
peer || Ti 
HH : Hn olin 

é Ww 1} | ol il . 
2 SH A ‘a 
ith Lost 
Sl sahil a ih 
& ell aL / SM Wis lf) 
ty (if Wi) 
hy Cae |. ; 0 
nis, \) ETT | HT 
ae | 
eA, Ay Tp 
|! | | cL 
2 MIL ics | ls 

; a me) (iad) 
eel lle ie) ("su f 
= r etl 
: I! ) ' ey il 

f i j i any 

al i : a 


ill 
bt 
Alli ti 
ii ae 
( 
| i! ih 
tt il 
iil h 
“ill i 
i it 
A 1 
“iil 
i ee 
X ‘ 
~ ul 
5 | 
alll 
rue 
ali. 


¢ | 


oo ee Ae RE a Ee ET 
1D . So ees SS eee ES” Ea 


1h oe ST ER 
1)’ 2a Se 


SE EEE ET RL Se SGT SSAees Ged a Ses 6 Se 
s 


li.minneny assy 


Cy 


Fug 


cr 


&, 


5 K 4 . 
102" BP dl Nii Ee OS eae Dee Ae ho Be be Ge A a i De Pa ER ey ES eee _ Ee ee 


e 


v. 


he —— 
URE SER 


tana 
-) 


8 
a) ye eee 


Lf (i a ee ee EE FSR 
(see ies Dae CA i ee 
DaiGay Faky Saas 


] 


Part OU. 


Violin. 


Excelsior 


7th posITION, 101 


FOR 
cz ls ie 4 = ere 2 I, 
: x = ee ¢ = Pu 
“mp, “— \ 7 [sees ara | ELS aaa iar SA St 
ae ee eee 
m - 
i” = _ 2 ee ——— yf 
a ES oo el i ed ee Secel (enaeae a ee eee See aS ON” So hel SS A A 
ta a a a ar — Srl SS ea Se See Ee ee Se ee GE Bear De ee 
| er 3 ° ° mt < oe 
oe Rd ed a pee 
ee a 


= zi me es reer Sa ee Eee 


Se eee Re ee } a 
aie Saree | DEY, LSE PAD Ee ee EA o_o ee _ 
3 ana LEE CEE EAE IEA SE a 


> 


a eS ana SSeS Ee SS Se oe See ee rohan 
—__._-S =. [al Goes Pe ee ea 


=== 


i |_| 3 ee EES Sy ES La Ee Rel ee Ee ees ee ES ES EES EE a a Be MESES 
i ae I Rae YS eee SE See See ee ee ee 


es fees i Si ee Dae ees EE Fe ee, -—— | 


6 = s 


4 
iy ——$| _e~ [pje _eeve eae teense ee SS Oe 2 ee ee ee ee ee a 
(———————— — T Ee ee ——— —— ee SRY) —— Se en —— 9} —| —__ et —— Ol 


ee hi a ee i 
{ NV 


a = a Ba SS aa eee (een a 
 —— — ae oe eee es Gee ea 2 ae 
. fas Se ae Sl “se Ee Oe ee 


Excelsior Violin, Part 1, 


102 


—. ' 
bet | PO -___— 
: Re a | 


a a 


EXERCISES WITH CHANGES OF THE 
Allegro. 
bod 


i a ————— ae 


DIFFERENT POSITIONS. 
(d=n2) 


wi. C———_ wee 
Hes —— 
ee TS] 


1 
Sie etl 
=. ee —F 
ee 


El ag MERE [ss 
20 ee 


oe UD eee PES 


wna 6 Am ee ES |_| _ aan —| —" Eee eS 
et — a 4g | mw S BASLE TS 
ae 6 so mri) || te 4m" 
———— EE Wa ES! BS GE SR ey DE eg — enn 


1 a teks 
[eee re 


1 
ee — eos] 


A eet —I— et Be 
ett = i aim 
Pa Si Aue 


Sea EIS a 
el a a 


Se Saas 
Le Lite bea bees ae 
——— 
et Oe sa} 
_— 


| PT ae Ge ee ae em 
= 
— 


aed — Seg et — 


 ,.CR ass Bees eS SS 
Se ee 
ON RE 6 EE Es TPE AAG 


Excelsior Violin. 


Part W. 


1038 


2! beasts x 
=a EA JG" ESS 8S ee. _e  _ a ——— 

[ : | je | ___ Fag ean ae ey a 
—s — _ = a  — a |_| 27 ee 


on 


1 A Ms 5 
1 
i 


ike 


a —— 
AS eee re Cail 
ms” 


r 
C le 1 1 
1 1 } b ——_ 


4 4,1 A A 
~ . 
AH gt ~ hme 1 at ' . eat 
ee | eg 9 ee oe Ee Haale aaa. See SA ee ma — eee 
2 ee a = —_— eS ee a a — 


Excelsior Violin. Part Il. 


104 EXERCISES EXTENDING BEYOND THE SEVENTH POSITION, 


Allegro. (J =116) 


20 


9-27 7 Bes 
A og ae 
a, eae ee 


ett ala Pe 


1 gee Sines 
- Oy yore r BVO 
AL 1 eof ——— tay reftt! + 
a 2d - oa x ieee Ilr ml Be eee 2 ae TO) men | ee | o_o 
7 17) eee oo ne mi ee. 2 aa ee a es Re oy eer SS Ses es CL 
(3g Se ——— pal Fee 7 | ee eae ee Eeatss ye a es —_a a i __ es == SSS BSE ~Gee Me 
IED, LO LD, so eS ren mEr"8.4.—28 j 


a ee 


7 i aaa z £6 ES SEE ET 
ei § a 
Sane Qy(l---- 1 §va---- 
Cc +? oh OP O, Car CG : lay & u Cee 
A 7 ull See C as cee oe e (Gi eo 1" Lit G = ic pe 
(Wy, eae Ey Fe ee -— A AS -—op 


ee 2 A ee oi a io Do | 
em ae a —— a a be 6 eo) | | a — 
a — a — a — pee — TT ek nes — 


ge OU om ee —! wriaeon. ae a 
0 


Excelsior Vislin, Part II. 


1 2 
A , ; ie 
Ce ei is ‘ 1 0 
,AX 4D x | 6| ; = ; 
SV ‘Baal oe 2 ——— = set 
Sa ae a ae 2 73 ao 70 — 7 0} 
a — eS} J eg eo OL ote a= ee Seamnitreses a i 


1 2 He ! ok 


} et ) a ou # ‘| De» 2 
pt herd — lel — = —— 


. Teeter | Sva-- -. 
ai Co cc i oA C p C ‘ 
CA oe) - 3 a . ay C... *, : Cc ’ ‘ 
‘me —e eee Aa ee i —_ va = ar — ma Co etrr “or 
6-5, ees a = nat at oe 
= ao! wi 1 ss es a Se a seers = == Sane a a a oo 
nS a a as eee — 9+ at — a 
asco ogee zi A et ee — 7-6 6 He = 


 —_ ta _ 2 eae BET a BSR See TE 
0 ol i Ta a ” A a a Fe) 2” SS * Ee SY 
pe OTE Ot SS eee eee Ee we ee _ ees i) Ze (eee 2 eee ee eee 
CO 4 Se eS eee Ee Se a ee a EE EEC Cea ey 


HESS SSS AB A 
J TSS | — 0 ee 


a ai C. 1 
(4-5 | + my Bly maa LAR Ee ey De Sn ee ee SS eee a Sa Pe 
fT SS) a me aw (ay = LéAw Sa See a RSS es RS Ie ae eee 


AP ee nn el = ——s 
a ae pars bepress = fe ——, mw 
De eee 


1 a a a 
| Oa Cs 


A 
1 22 
1 1 s lal tal al ba eo 
Le) LT ee ieee TT pan ON [rates eet ee Hels os ere 
lay mee BAe ee ee a’. ME ee) a eee 


3 ———— eS 
aL 330 SS Sa Re, SSE SE ee Si lll 5a) Ii Sen Ee 


; 
‘a 
iv 
| 

| 
ie 

Bil +H 

B 
: 
YF 

\f 


Excelsior Violin. Part i. 


106 EXERCISE IN OCTAVES. 


Allegro. aie 108.) 


7 1 ea Same Ss _ dee 
OS ST el ey =~ 8 GS ore 1 
EERE AA HEAT Nine ia =e a eee Cr 


eA a 7 aa 
i Whee ener ey 2 Aes Mist Svan ney be ee | | 
as ee — fol tale — prs Ee ee Se ee i! a 


El DE CA ee BSS SE“; 
Ba \. neta Cee pg 
a ah oe e— Bt ee soe eS ——— BRERA 


v7 “pi 8 so aD 
1. . ee: Stel 


A — 
2 ee 2 ee ee ee ee ee byt a ea ee - ee a ee es Ge a 
pone CR I ES tama et i” aw ee 
BS ey “ff teh ima WS rae oh ee ee" 
~~ Say FEE | =“ CS oa —— 


ae mall 
i ee ee 1 ee 7 ee ey et Le | Be Pee — a | 
| gl eT 1 A Reswreae SSe ppt tale ee pe de jo BSE 


ree 
bs 
~~ 


Excelsior Violin. Part I. 


= 

aes ee asin — pel 
es 9 —— 
mee ee 2 a 


a SP 2 a SS Oe 
a wee a — — 
Eee 


—= — 
et a poeta =o 
~_ = c=] Shlain Sa Gees 4a ee ~ Say 1 Aes 
B72 eae Ee Sar. ee OE *|_ 2" eo BC 2 ee BD 
Eee aaa | ~=_a SP eee 


ee __| 


hax ar eran 
Lis See SS! ee eee Tt ta PA se 


Et ET PE a a NL Ya a oy aS er a P 
ee el _ == bi ieee ee eee Le iB =? 
Led Ls] DLL ieee EE eS ae a eee ee eee 
a — we | ge ——— he ae ea = [hg @ iw p— |e 


AGES 
a ee ee 
— ae on 1 1s 


CS. a Ory 

Ue) Gao 0S Sle SS 2 See Ee Ee | Ee ERE ER GS ) A Pee a Ve 
(vo. if... LU aa a i eT eS Pe ey eee ee Ee eee ee Ee 
°°) {STN GUS SRA (SL SE A PE ET! ARE 


Excelsior Viclin, Fert I. 


108 HXERCISE IN TENTHS. 


Moderato. (d=96) 


ee) See es ee =p 
} ae SS a ee a ee ee ey = 
_ Te nes Gee pee Gael Sr eel il .. Tey ay a ES I) ee 
aban bee Gy Sieeers sb Sr pa See 


a sas! 
A eS a | | es 
i a Gre EE at ee Se ER Se SS 


Pass ws ees one ST 
a? a? Ae © A ° 


pate 
eee at Ee oe ae Ee eS ivaan  ond AY MBS, Wl SSeS OS 
ao BereeSss h De Re ee es 2 eee eee bee Ps Gd BS 


es os ea fw eo | 
(430 LS ae a ee — ee eee BE) eee ee ee” Cl ee eee 
O Se _ FSS 5S ee Pees Pe a eS Eee GS | 2 SES EIS oe Se Bee ee eee eee 2 2 
= ao a ee 
er | | eee 


Excelsior Violin, Part Hl. 


109 


yen | ee a on oe a 727A ey ee — fant 
2) So) Va. 67 7278 ee ee  _ ee ee 
LE E, 


es LE ae 

CE, a ee ——— f ¥ Oo 

1) es 4 4 , = PSS aa a. "x 
(a ae Ea BS Sa ee _ 2 ee 
Rel oS a BEAR AS : “3 ; 2 [es eee a an PS Se | LZ SY 


RY DRIES ee Re eo aa 
gl tg ee—}—_tt mi mC mw 


Te Sr ae Ce ET OS Oa A 
ran 


Lun ee ae a 
Oe a eT a  P. 


5 
Oita a a ee ee We Ee Se 

oo ae SS SE ane ae a 

aay aes BBS in mea ea ae, aaa ee 

panera ea eae ea en ee] 


NO aS OS = SS PO 2S) ha SS fas (Ses ea 
i ewes i —— ana mal 
3 SER Ee BES pote 
fe 
mp 


Excelsior Violin. Part I. 


110 CHROMATIC SCALE AND STACCATO. 
Allegro (d=116.) 


2 ee 21 A ECA AS 1SLS Cana es 8 Sas Sy te Igoe — oo ooo See 
v.68] ees of) Bot piece ea ——— a 

ips — ren ra bet a | ———- 
ies ye Oe JS SS SS 


Lie de i SS __ 


Sz 


ra oe as a —'é ae ae Pe 
fA ___ —?— nee eee A a Teh Li 4.4 2 pened are 
mane Bee ee ey Eee ee eee asses ee Be BAe —Ee  _ ee 
2 ee eee SSS SSS Eee! bey Be ————— — — 


. _ 
Se ase GR eee —=-—“‘“a‘“COOWD Dl lO Se 
Sos ee ee EE ee A PS BS HH 


oo “ppg eae SA TE a Rae Bie Stee eSeses ese See ES ee Be 1g 8 


Eee aes ee eS ee ee a pT 


ee a LT i ———— ay 
P| le SO OG 


Excelsior Violin. - Part DO. 


ij] 


aa os eat 
| ___} | a ee CSM es a ad _ A 
| @ i | ee Leela ct {—|-—— hg ‘a ee 


re eo | ae 
y GOD yt 


fae 
Het 0 SS EE eee Ee ee 


: —— = ra eae ES = eet (2 a aay Pa ia 
T.-L — a me , FERRE Bee et = bY BM. eee 
nnn we ee ee. we A = tet et eT ThA | Lae es ee = 

ae eee eg ——— Eee 1 Ee a a tt gg he ye Feo tT aaa —- 


ve ee esi? 2 aia a 


v4 
——_——— Sr ————— 


im’ eas 


Z as : a fearon a 2 Bias 
TEE Ee a Se Eas Ree 5 Sa EN eT ree 
SE a ee ES Ee aa ee ee ee" ee Se 


ToS ae Lo lt e OP fe sf 20 aL i ee 
a oem Rae area! bef M1. a = 
a erase oe BY 2A ee eee eee —— —=—— 
ee a bY 6. ee eee ee oe 


tr 


= eee 
a oe 


ee Eee U/ Be eee fen 
Ee SE SS lot EIT noel ial 
A et = 
ie ey ea ae Id!) oe 
U 


eee | 
= on ; 


Excelsior Violin, Part I. 


112 EXERCISE IN QUICK CHANGING OF THE POSITIONS BY SHIFTING. 


Adagia. (d= 72) 4 


4 
M SOG \e Se ESSE AUS SE Sy ees a ae eee 
1 oe eee 

f =) re o-= ES . 


cats) ae Oe ET eee eS ES — 
2 oe he eee eS ee 
PEE A =a 


! eo @ | am Bee SS 
secs ns Jegeg a eee Ee Ue 77 Aarne BB art pea amos ys Be Be SSeS 


eee 1 eT 
lige ee }_ aay eee EAE BS) ——— APE A -——- eo Gesss 
7 Sea Be ne te eee EE” A Ket CA 4 Ie a ee 2 ee ee eee 
18 i at Wee 0 a BS a i] Bi 2 Ae led Pe RE ee Bs ee BPS Tess 
Of BANS see SRT [ag Yah RE =a 


——_— 


118 


E: [eur 


ES SS ER NG LS 
pera oe eel 


° AA ee ee eee Sa Ra ee cee oe 
To a Se Sa" es a Se" Bae Eee ee —————— 
Chi I! ASS ee ee 2, Sr Le ES ee ee ee ee 
wy Rody SS mE BE COA 425) SS Joy 15 eee ee Se ee ee ee ee ee ee ee Sy Bree 


ppg al oe 
= E 


= Sn a ee a a a i a ee ee ee es 2 a eee 
a ej ee} Le EE aan _ See en 
aS ee 


Exercise in the Tremolando and the Staceato in dispersed chords. 
P . 


114 


Alleyro Moderato, 


(J=104) 


os 


I é 
Ne i 


cell 


ee Wet 


+s 


Q 
: | 


Hl 


Part II. 


Fixcelsior Violin. 


if 
f 
K 


il 
| 


Part I. 


Exeelsior Violin, 


DOUBLE STOPS. 


EXERCISE IN 


116 


=80) 


(J 


Andantino. 


.—— SR Bel eae Se Ge SD Be ee ee ee a are 


| O80 22S SSRI BSS Sew 


Ts 
7 
i 
H 
i 
| 
: 
| 
: 
1 
| 
¢ 
1 
LG 
| 


Ba 


Bw 1A 
Gees a 


mn) eh SSeS SR a 


P'e Sees ee SSS ee 


Part I, 


Excelsior Violin. 


117 


2 ee ST Sy ee Ee 


\ 


| (5 2) SS ay Ren aE Oe Se RR 
.. SS 2 a a ee ee ee 
|) SS Sl 2 el, A ee 


(lo eer ee Ee" ee ee ee 


Co Le ee aS eo Ee i ee ee ee ee ee ee ee ee ee ee ee 


CS a a a TER SATE JSS Se 2 Se 2 ee eee eee 


i aaa 
se a 


ie Be ler) 2 js a aaa 
‘ ° 


a | 


mike iecs 4 
a 
(a oa eee 


7 a nner ese ie a ee a ey 
. . 


=) Ae Se ee _ ee eee 
ee 6s Ea ee 


O80) S77 eS en RE 0S Ge ae ee ee es ee ee 


(#9 GG SS AD SSS Ss SS ARP _ Saas 
Part II. 


Excelsior Violin, 


a Qh a a a | LS Dh ea ea | 


eens Og 


| 


Liss EXERCISE IN QUICKER DOUBLE STOPS. 


Maestoso.(4=80) Fr , : seed 
ial g° eric 
a ee eee ae @ Aa 
ae (el Saas el oa 


27% 


aaa ees sae 


is ‘eel tia 8 
4) ha a —— 
i a — a _ — — ay 


al 


BS Pee 


“Ta 
— 


2 Se 

O60 ae —| 

fe ey i 
8 et 


Excelsior Violin, Part Il. 


119 


N= 


( 


I 
- 
1 

al | 
: 
} 
My 

7 


4 


He, 


wt Say 
Str A. 


Wy ww 
Tt & 
wa) 


l 
M 
ul 
N 
; 
Gn 
= 


1f(.0 


IRNGY, 


SS 


_ Part I. 


Excelsior Violin, 


BY ARPEGGIO EXERCISE WITH FOUR BOWINGS. 


Andante. (d=66.) 
3 - 3 
1 / 2) : 3 3 


2S ae ee Le my OW 1Me Ge 2-8 eee, OY eee es Be ee ee ee ee a BRE Nat wy at = 
BPR ; mare 


28 


4 A ) 
3 oo Gb 2 ee 
9 ~~ 3 aes Aas ~. (a2 es 
1S: ‘ae A [am Gey Gee Pe Bee es a_i AGA Ge? 24 Ee SAG Ry ec Amey Bed BEI rn, GE Ser ae a. GE I A 
22 ee ee ee ee ee ee ae fae Tae Be Ss i PS Ee See ee eT a ne ee oe 
Hes th ot tee oe to oa ee re Ce 2" el ee ee eee es es © 2 PS 


tw gies. | wt, wy eo ee ee ee ee ee 8 eee ee re eee 


(/.. es 2S ER AE SS eT PG EE ET | EL COILS” “EST 
WT OeL—EEESS OY Ge AEE EF SIE TE -_Ga ME 
eo 
4 3 
3 2 
moe ‘ ay oy BPan Gy ae ARS ee, 2 a, Se 2 ee 2. A LS A Se BM USS Seay fad 


ey CeOe) (ey BE LES slopes Aaa ETT sed re a ad SIN NE Es AO ae YC  , OE As EE A GO SIS 
Hest bm De We See 6S 7 ere ee ee na = mee ess = SP es 
ae A 2 es se 2G 2 A AG a 2 2 2 =. 2 Le Le Ss a 


6 iy ES 
Y il aA oo ee ed 
an LE 

QOS 7 SESSA IR (HE a EE (a SE a a HS 


i 
1 
i 
t 
ie fr 
a 
ig. 
i 
3 


° ° 
eee ae CGY AF Bs Sa (9-9 —_\ _f-9- 1 1 
PRS Of ON ele er 


iT a Ns a ee ee eee Sve 2 Da GES OS A Be ey ee 
Sere. \__f 2 e-em, SS ee A I SOA 2OW Be ee We A 
One 2S 1 eC, GP A 4 Oe A Le 
2 2 Bs ee 2  _ @ _ ) _ 


Excelsior Violin, Part 1. 


~ iP 


= 


. 121 


> ry 7 . <& . ° e A J g 


AS ES ASS EY SE EY OS of 1S Se oe | ee 
HA ——_—_ 2S lA SY 64. 1 A ee I eee 1 Se ee ee Ae aon : i —\—-f 9-9 —\ fo 9 
tt See ee Se Ss i a La SE JS fe ee ee LG a 
awe, 5 ee Ena 


SC SA DT SS SS Ye A YD RSs SM Se ae ee SO wR = x Say 


j E - [PA We 
{ Ter Y hla 7 
UND Se LV 7 


e * e bs) od e e 


e . an t # 3 es ’ ; < ° 
dog SS ee a A eA A / le eG AN (Ey see SUS jee sak aw Joe oe seen wee oe Jee aon we en hE, ES | 
eS Ses a CE ey Ee 9 ee a , e = 
Hest hg Se Ree Ae ee jo ears ee 
Se an | Kee i 


eam 
Zz LW 


1 —— Tee ey Se Eee ee ee Lie. Sy 42 2S een, SS <a Cae LE ee SOR GEES ASF BG BGs waar 


Se a co | Soe ley 2 Ue Se le ee ine Ry ee BSS. Oe ASS Ge Bay Gas we 
L@o—— Diy C2 heey aa BD a fez] ap gt LOL LEP A EA 


° e i 4 S fe e e 
z . 1 5 : 2 Ms 3 c e 5 e + ° 
 — a Se fe SSeS aer ee See eae ee 


e oe ; 

3 : ° . 
LED LT OLLIE CE OA ES ee AT | Fa Cy awi Ee ay ee, GS (eS Ae | 
BESTA ODE Jy Se el Che wl ee eee GEV BS 429 JB) 4 ES Se Be ee eee eee hy 
1 ee 6 ee ee ee ee oe ———- aos , 


a aS eee Ss ee 
‘Sow seer ae eee DIU iy We’ RT ME eee ee 


f | GE / Sey 
a. ——?4 PA 52S GST See eee ee yi 
1 = PLS) @ SESS SS Ee _.AS eee _ a eS BP RASS ES 


Excelsior Wiolins Part I. 


122 EXERCISE ON THE LONG SHAKE. 


Adagio on CnoL ES Cle 69), 


soe Et ee soa ip ek 


A mame 
ROG See EE mar | aS | et a es es 
EA | 2, ee ee ee ee ee Ee ee). ee eee Se DEA. CE EERIE Sy (Si ot 
Ue PARR Heated | hn ne ee ge ee oe 6 ae 2 RE 6 Ee a ie 
Se oe ee ee | ee Ree — ol a DRS Ss SEBS -y |) See) | SESS 4) Sh My PS a ae 


W, 
my (2S) Ran SED SE LA pe a 
——$feseat —f —| 22 ee 
BIS iat BEE ae) 


3 se 
' ~2 A aoe: aAL: x — . pe me 
tr tr, = e - ;: é 


4 3 he , 
@ Bi) 20) aoe Or). ns ee EEE Sy Use eee Uae ee —s ee ee SS ee a eee 


7 GS, Se ee ee Ee” ee Ea Re A LO og $4 fn Sa 
i. ee 5 Ae SSH EF RSS SSS) TESS IS A ECE Ae SaaS aa) a ————— i rrr 
eS, SE SS SEL 


LNA | ST Bele et 2S ee 8 6 eee Eee 
as | | eee 
cres. 
a urecaeeeenh ——1 | 
ee 


—- —— nn ae 
ese —s (ARTE ree GSE 
’ DTP EET oh SED J ——_ 3-9 2 a po et he =a SS ES A SE SE OE SE a a ee 


4 


os Be ey Cay ER Es 
2 2, Ss _ Se ET ee Td 
———— o—— 


Excelsior Violin, ~Part 0. 


a oD JOS ee Ee __ 2 


Teh) 
me eed ee OF 
i * Bd 184 
es 
ea 


— rn ee Baw ISA Awd 
A= Laerare 1. 02" ee ee a ee ae 
Naat ag) ee —|—}—_1—+—4 Lr ESet Pett te 


ett tty, 
i 


. ee 
a 
ne .S Se eee ee i a as evs 
Ra SST a ee a ser 2 pe eaeeey ey eS ee ee Ae Sl Be ee Goer ie ee 


ie 
: ae eS A As || a 
is maim Bree 2 ee es 
f a se am 2a. 1 a Sas _ a 
$ Se + —__$5 ) ee Oe ee ee ee eee SC 


Excelsior Violin. Part II. 


123 


“a ay . 
oe 
———a— re ce = 


124 SHORT SHAKE AND PASSING SHAKE. 


Moderato. ihe = 88) 3 
tr We E 
mw Pr — tr. tr. 22 ag ie 3 tr. t~ 


or eo ———? 6 Ene 2 
iar PAP “EEE Be 
(.— es 


oe 
<i t ee — ——a = ane ae | 
SS errs ee <n SS NY" EY ek oeg ae aay 


Pace) 
ee ee a a 
—_ |_t iad 


a 


Excelsior Violin. Part I. 


125 


1 ; e 


tr—, 2 ttr-—, 


° SPR EL, 
SS See ale ee eee ee 
ES ey oo 
Tas i EE ee 


oH? 0 ess ae 

H ae Tarte! FF Oy! ~ 
a | eee: Bae ee w | Ss A 

pp fa Hatta oo Bag vie ———s zea 


2 > = aa 
f Wo aT Deb Le ee eee 
(Vi 2S re 6 ee ee ee 


Ls c 
CA. 5 1 GES 5) £t FS 9 PS ee ee Bee ee 
a ewe YES Sy ee See ee eS ees a 


a So DS GE Eee BS 4 ee ee 
| | 


TT 
| t 


Exeelsior Violin, Part VW. 


126 EXERCISE ON THE DOUBLE SHAKE. 


- 2 
Andante ($a83) | ae ica 


Pie 
ye Ke A XS Gees ey eS IS 


San ESS : 
' oe ee Sea, a BA | ke Fe 7 [oN aE OE / ee ee | | WE 
a A} WE SE BREET SE LAT RSS 


Sn ee” a ES __ 
; | 


nal 
1) Cesare (2 be ae 2 ee oe ee 
CN a es 2 le 


ae Bee 
aS er or 
aN Y—__ paest— Hat om w Lt 


UA aa : 
a Oe ees Ee ee Cee es a Sas SS 


ra ons on MP cs | 3 Be tl Se EE AE 
i a eet t+ rrr Se Se a ET OE A Ge eee Ree SEE’ SST a ea eS Pee 
fe pot gt an a a eee ft ese aero —-' aa (EP, RE Ce ay (en a SST —— as 
[hWIReSeRe Re (SP HN A  T_ TR a A _. ee a a an Ee} J fx oe om 


FH fo 8 | ie eden ter 0 3 pei 


Excelsior Violin. Pari Il. 


A PD, p 
— ME hn bP aS Ls, 


we 


sae Be Ee 2s 


1A ers 
TUE BATONS SR OOS SD Ll a | 


2 a 4 


| >) £2) eee 
U Vlil 2Se | Se ee =e Ee i) ee eee 
Ee Es SE STEEN, EE FF EL 


eS a 
1) 2S ey 1 oe ee 


Excelsior Violin. 


4 


Bes A’ Aaa 


127 


Sar Ea 
ES 4 ee / Be E/E / ES Ee / ES See 1 ee SS mas 


2 
EEE WR OT 
maa 


: i IPE LD BESS cor soem os cs pe ll as 2a 
eo Ld ag 8g at aa gi F 


4 


Bag | Saag Seeceean. eemtapnseneaes saa oa a Be 


Part I, 


BIRB@TAARUTCRCEh ES BY ITS 
(Pere rer p.) 2 Ym 


oe HARMONICS 


Natural single Harmonies are A by touching the string ieee with the finger. 
From the middle of the string up to the bridge nearly all harmonics are to be found on the place 
of the natural note. This si = © marks the place where the harmonies are ou be taken, while 
the small notes indicate the actual sound produced. 


A 3 
To the nutt. To the bridge. To the nutt. 


Two fingers loosely on the same ee 


At 
a 7 4 
Va a 2 = 


TLD (LIAN 
Ree a — eT oer oe =a 
oe pat ee 


ARTIFICIAL SINGLE HARMONICS. ta 


Are produced by taking one note firmly,and another one loosely on the same string. 
The practice of this kind of harmonics has the double advantage of producing a peculiar effect, 
- if used sparingly and with good taste,— and of leading to great perfection in intonation. 


With the Fourth, (The finger which touches, only loosely, the string, to be distunt one fourth from 
the nse which presses down the string firmly.) 


| =a : 

ea eee i R 3 

So ee 

Io tip PS Se or iy Se Oe eee 
DS kK 9, - 


‘With the Major Third. — - Se $v0 


wa Me bee as Bt en ba. a 
ee £8 bed 2 eels ee 
: ee te r pto > > be ‘lo 
————— ee ee ee eT I OAs an Ta a, BS Oy 
HH He PS I SO"), s OR OS BID a". a” es ee Ce (EE 
(et eT a EE 4) a hav,” cpr — a ee ee a ag et 
i te i pe tte TE > aa ee’ 2) ee - - CSS? ES eS SSE | RE ee EE SS 
S igs ie me A" 4 2 3 oar ie 1 I 1 

ye 3 m T I 

IV 

With the Minor Third ( speaks not easily, j PIECE St oO ta De aaa age BSOT iT a See a ema LSS 3 


eos santgess ESS SS SS eee et aT a Vat 22 CES”. 

a 0) LEE E SS AS Gi ee eS A Se De eee ES Pe S—ie— 4 Ble sta8 FeSoa) Rass “gree 
fa 6 ne IER coma Baa: at i es” awe a pepe —— 
is be K > > Yigal st AY |, Ee Ee EE I ee CS ee | 

= igs 


With the Octave. (Inthe lower cans impracticable for small ate ) 


© O 
SF (US e ox ae aCe Pa ed ee EA 


fp Sof ord Sra se DOS 22 aa _: oo WEL =e AE PSR, |) 
° a les e 
a By il 
OT co ie tc a 


Excelsior ees Part Il. 


130 


Seale formed by promiscuaus use of natural and-artificial harmonies. 


4 

" ard —— 22 DS Ses a 
2GB2, 07] 2 PN ere Pas ta EE Ge GE PR Ee es See es Seen 
i5— ae Sees FS SA SE ON ea Se (ae a | Ge PR SSS 
Si Cts —_e—_F 1 6d BEE RS Le ea 7. EE I se (a SS 


THE INTERVALS OF THE MAJOR CHORD. 
IN NWATURAL AND ARTIFICIAL HARMONICS. 


Lf (<p CREEL °F — EY TS 1 
| ONG a es Rs ON PEE © OD, eas eR JS ESO 


6 Se a 
P CEE a gS 


io a “eat wes latent BB eas ones aerate 1B? 240 eR 2 AE RSE & SPR a 
iD ore ae ey RR Ca SE PY REAL © SER {#5 ee oe 
22 aes 


1 4 : a i 
eee , 3, Mb i. 1 MEET TESA 1V——— §--> VST 


1— 
I.—W.— MI.Iv. i——— 1 


Excelsior Violin. Part 1. 


ee 


\ 


t 


; Major Thirds. te 


ARTIFICIAL DOUBLE HARMONICS. 13] 


Although most of them occur very rarely and are not always of good effect, still they are useful 
practice for the perfection of the left hand. While the single and the natural double Harmonics speak well 
enough on strings of the usual thickness very thin strings are absolutely required for most of the artificial double 

Harmonics. We recommend therefore only those players to make use of them, whose style of playing permits of 
thin strings. Of the many various combinations that can be made, we give only the following, as the most practicable. 
Play first each note separately and examine, whether i it is perfectly in-tune, and then try them both together. 

3 : : j 1 


_— ———————— as x 


ord, String. 


Ath. String. 


S S ps KS rs ES 


In this way you will learn to hit both notes simultaneously. In order to facilitate the reading of these double stops, 
we have placed on the upper staff the notes which are to be played onthe higher string and on the lower staff those te be 
played an the lower string. Fifths by touching the Fourth, | i. % 


bt bot fe # 


Likewise on the higher strings. : 


i acres ed i: a oe | cet 
be Bt 
Iv | —-— ee Fifths by the Major Third. 
Fifths by touching the Fifth. f ¢ ta fe 


Aha San Ra EKS" ‘s EE DET} 
a ¢ . at i 
a aae_ Sees 


+ 


7 oe ee ee isa Bae 
; do 1 Seen ee eee EE eee a 
Ur) OS ee oe ee PS eee ES 


4 
Te 


4 5 aaa een eee ea IS 
Se A ea Te | aS EP, pS PD ok eR WA» ~ ee” 
S80 ee iii Sea — é 2 ig EE 6° =1_ 1a Gn~iS! GEER) ae ee See 
RIS bw. be He bf = ae p fe 3 : 2 3 
oS aa z 1) me! = 
Iv 2 ———— UO -----------~-------~--------- + +--+ nee ee---n- 2 
Minor Thirds. b b t ba bh bs ‘ AR ah ues bd aor Pl 


4 ‘ ty cS a of 

SS SE CR Ee a Ge PS ae «PS ae oO oe ES ST Ty A ae PRL aT 

Pa Se a en ee Le ee ee ee eee ae 

gl 2 OS TS OEE ASL Ge I lee en Re ee GY oe a 

A AES SAE a Bray Sy : 
4 2 3 


as 

iS a a a ACT URLS eee ee A 2 ee Ea EE EE Re ee We | LSS: PS: 
ey SS SSS STS a aay NN PA OST REN ER) LT SE A EE PA EE PRATER A PE OE ede, 
iiss ee ST Ti ES SOT "| EEE ET OT ETS $"< EE ee Ae |" poe BS EE Fs A | 
i--g 20. Lis = Sci le200RI i a Pe Be Bey ee ET OS «4° sae Tae Gaag.5 BS -) EG) ee eee a a Se eae | 


© is he ae be ute ie D ST i Si A RCO A zit as. 
2 9 < b 5 (pi Ie Ee u__i-—-———— 
ere nm a Se mE TOG cme Rede Bi a tat fal ca a oe a = 


Excelsior Violin. Part Il. 


132 


Fourths. 


1 Gi) Saas EE CO Re RTS (EET Kem Se aes ee RE ES Pees EA eS ee |) RE FE BF 6 SLE 
PS ZENE CE RE Pe eS FP Lig $2 pl LI 


eer | Ole REE eS Se RNeF ee mo maa’ a —— Pee 
ble ae Vs > K>_ I an... > aa Baa ok] ae a is il 
A 3 23 A 3 
1 4 1 1 
ie IV Ww it tf 
, OO 


te $ 


| 2 SE LE ER a ee ES es be Ne ie Ee Tees SERRA IBSET dbas PSee ee 
'? . Se as NS SSeS PRES @ SIG MESS, , Ce SET ee FSG ie es Se SSS SS A 

1). Wek © DES a Be ESS SSS Se" ae, a2 fe 

eh ee Eh Ce ee ee eg 


Minor Sizths. = | B00 a aanannnncnnnneeneencenneneeneenennnrncneecon ac 
4 b ¢ | | ni dsns te 2 > be b 3s 


SS ne a) pee fe at ep ES (ESE SS ES ee SN AS Pe ee 
7 ae a aes PN See SESS en ee ee SE Ce Sn ey es «i 
| —e oa Bz PS ron aooeea a P< LF Ce a LS me iy Se A ere eee Us 
ane ED a he ae JSS, -T oS + ESS 7; ay esa RY FEES GAA eee GA ATS = 
3 


Iv | 
Octaves. Sve weenie ee neence ene nnne nt rneasoeecnenenesneranmennns 
b b ¢ peseae: 


A 
—— a eae ae Sar a PSS SS 


Sa 

Y 1 g_ 
ae 
1 

¥ |e 


Pe 
Y_ Qa 2 eee Se PN ee, £S 
(i. Eee ee eT Ce ee A ba SS Sey Se 

Se ee gS eg BAS a Pe A | ee See ae Se See BE ee) 


| O_O OY BEY ees OR #4 Je SS ae SEE Pe eS PS SS SO Se Se ks OS 
2 4 ae es as | ES SS es eR PEs PSE PSG | PSS | OS «ET aD 
[a a 1 eee PS” PS eG YEE eA 4 a EN EE Re as ae Se ee ae SS |S Ls 
1s HS tS "eat pic > jee oe BS ia BSS Se ee nes eb Ce "| ee, J. EE SESS katt 
a bef h 
Iv__! 
Unisons, 


. bg é 


a 
i (pea oat aceead Smarr Pare (Bas a 
NS ES © EE ae OS, ay ee es 


SS ae Ee Say en ED SPR ES BCT 
© . ee DE LE EE eS PS OE SS A SE ES OE A AORTA SG 
Uf ee EE RE GS ee (A es aS SSS ie Saeed PLANT RRC PO” LP RE rae EEE ETE BS 
Oo EB * Q- (2 cial a ee FR | eR OW | ee PS Tooe Lal) eaten Correa See ee] 
Ss Dk e, P ; 
$ S Lg (Rete ye" 2 ees aoe 2. 

4 4 2 4 3 4 2 emmrren ie as 

1 2 2 1 1 O 

IV i 


Excelsior Violin. Part I. 


133 


DIATONIC SCALE IN THIRDS. 


n 


C MAJOR. 


G MAJOR. 


Gia Ree BSS SSeS Sa ees San Ree See ee 
(LS SRS SS, DS ( PE DE (PE Le EE «=~ 
CE SS ee SS 2 ee Dee eee EE 2 2) Ge ee 
(22252 Si. eee ee a (EU Eee Bee eee 


—_ > 


Bigeaeec woe as) y LID s 


D MAJOR. 


"2 (= Vee ES A ES PS 
jan ES TE Se Ss cae SS PSS ES. a Sao 


ae 4 


A MAJOR, 


(LS SS a SSS PS EE SE ST PEE Fi OE eT | 
ARTA EBEDD I 


HA 7S EE RT + th oe tS SPSS ee eee eee ae 
iy a | poy SA Ee") Sa Se A eB 
a i) See Beer ee 


Excelsior Violin, Part IIs 


134 


E MAJOR, 


tee ee ee A aa | SE BOR = 
i el. ip a G'S Tol! SS 


Til. 


) 


B MAJOR. 


IV. Path ae Til. 


F# MAJOR. 


Db MAJOR. 


Excelsior Violin. Part II. 


if 


Ab MAJOR, 


Eb MAJOR. | 


: B xceelsior Violin.Part Ty. sind 


weep 


we <> 
SS = - oS 

i" REET | PS 7G aa a SR Ao ae lias: Ta a 
LaF! 2 SVS LO a OO A LS oe a, i 
1 CS 7 ER EEG Dae RES |" a se Fn Se, 
je gl 


PSs ES Fo eT” —it —-s 
Lt 
Sana ee eae Piso ts te a 0 Say I LE” OM ae 
Fees ES _ 


‘ Ps a” ES a Dc ALL 
3 1 
3 1 1g 
1 
TV Tit e 
Fes CUE cs ee re i a 


ke Sas Ba ae Ko Ta Ie 
(OURS 0 SS SS ee Ko Se A eee Ee eee 
rf eat (SS FS Lg? SSE A RS Soy 2 S054 Aer Pee ea 


ee eee) Eee Ea aa Sd" PS Be PS 
TR ee ee ee ee hes he a9 —P 
576 pe kl Sa Jae 


(ha SSS “| 
25 tle pares c> Kl a 


(OO 0 ee a a a a eS a AC a «| Pa 

lig JL TiS eee ES Ee ea 5 ee ee) eee eee. eee” 
eA ieee ee gs nO Fe AE Es EL EY 
VA Se, eee Aaa 


Bb MAJOR. 


eee Ree he: 
Pea Oe pee 
EEE is Ke VA EA NO BS 
El £22 BS Sat 


4 
(2). Ce eee (ee eee ¢ 
LST Saat a ae a Lo iri 


F MAJOR, 


After a careful study of the above exercises there will be no déppeculty in sinding out the Menor Scales. 


136 


Paganin?. 


Allegro. 


Y. 


) 4 al as 
Te iy 8 
Ly ey 


ep 


test a ES ESE RET ST SE PR SES RSs eres Kee 
eS a ot oH Ota ($5 -—_ | 


IV. COT SCO 


es Ree Pe Te 
(ee a GS BLO Ee A Gs a 
. as a PE PS A > EE A AB 
BGS eese ae aed si" BERS Gi” el eRe ee 
ERS Bes ae 


ia 6-5 $$} —75--;_— Ee a 
7 6s Sy 1 ae 


aaa 
nee ee RIE Se ESS Er ee em ett saee LS ORLY EI 


= 
K2 
rig 


Excelsior Violin.Part IJ. 


SS ee ee oe BE a ee a ae ee 
Lo LES Se Re ES ae) IN EERE RR TST BR STEEN BT UES oH = 
CUT SPEER @, BENISS Et ols ae RL RET OSE PSS Ee a 

RSS Doe eS ST Ba 


CSE ae SS ee a a 
a Oa a a A a a a a 
(OSL 18 a Fa Ra a mon SSS I ee PR 


mo 
w 
wo 
mt CO 
w 
mm OO 


pe ees 
pig en dk RA 
@ Eo ER AA 


29 


eee eres Shy Ay, penne eee | ty, Ts TIT.——' .. ~ III. 
~ | Excelsior Violin: Part I. 


